Ensemble

Alla prima della Sinfonia n. 7 di Beethoven del 1813, il pubblico rimase così affascinato dal misterioso secondo movimento da chiedere a gran voce un bis immediato alla fine del concerto. Questo Alleg...

È il momento di mostrare il proprio strumento! Che si tratti di mettere in risalto i risultati ottenuti al concerto di fine anno o di presentare ogni strumento ad arco in un'esibizione di reclutamento...

È il momento di mostrare il proprio strumento! Sia che si tratti di mettere in risalto i risultati ottenuti al concerto di fine anno, sia che si tratti di presentare ogni strumento ad arco in un'esibi...

Muffat, pupil of Lully and Corelli, composed his concerto 'Victoria Maesta' ('Sad Victory') in 1689 as organist and chamber musician in the court of the archbishop of Salzburg. The title refers to the...

The present arrangement is of practical use for small string ensembles in particular to study the polyphony of Bach.

Pietro Nardini was the most important pupil of Tartini regarding both violin playing and composition. Like his teacher, he attached special significance to the beauty of sound and the -suitability for...

Pietro Nardini was the most important pupil of Tartini regarding both violin playing and composition. Like his teacher, he attached special significance to the beauty of sound and the -suitability for...

Streichorchester; Bläser ad lib. und B.c.; Cembalo (Klavier), Violoncello (Viola da gamba) ad lib.

Stimmensatz - 5 Violinen I, 5 Violinen II, 3 Violinen III/Viola, 3 Violen, 5 Violoncelli/Kontrabässe - Streichorchester; Bläser ad lib. und B.c.; Cembalo (Klavier), Violoncello (Viola da gamba) ad lib...

Stimmensatz - Oboe I/II, Horn I/II, 4 Violinen I/II, 2 Violen, 4 Violoncelli/Kontrabässe - Kammerorchester

Streicher-Ergänzungssatz

A symphony that impresses by intransigence, extremely hard sound clusters and extremely strong emphasis on affections.

Stimmensatz - 5 Violinen I, 5 Violinen II, 5 Violoncelli/Kontrabässe

As to melody, harmony, string setting and particularly the treatment of the miniature form, the work of the sixteen-year-old Schubert shows all characteristics of the later master. It can be performed...

The three-movement concerto is a welcome and rewarding example of a double concerto for two flutes (see Fesch). The equally important parts of both flutes present a charming interplay of tonal beauty.

A concerto of classical elegance, cantability and virtuosity. The allegro in sonata form and the serenade-like andante are followed by the brilliant rondo reminding of Mozart, with a charming minuet a...

Apart from his numerous instrumental works, Carl Stamitz left also four horn concertos. For reasons of the playing technique, the concerto was transposed down a semitone in the present edition. This w...