Ensemble

Soli STB, Coro SATB, 2 Ob, 2 Vl, Va, Bc

Soli STB, Coro SATB, 2 Ob, 2 Vl, Va, Bc

Soli STB, Coro SATB, 2 Ob, 2 Vl, Va, Bc

Soli STB, Coro SATB, 2 Ob, 2 Vl, Va, Bc

Soli STB, Coro SATB, 2 Ob, 2 Vl, Va, Bc

Soli STB, Coro SATB, 2 Ob, 2 Vl, Va, Bc

Soli STB, Coro SATB, 2 Vl, Va, Vc/Cb, Bc, [2 Ob]

Soli STB, Coro SATB, 2 Vl, Va, Vc/Cb, Bc, [2 Ob]

Soli STB, Coro SATB, 2 Vl, Va, Vc/Cb, Bc, [2 Ob]

Soli STB, Coro SATB, 2 Vl, Va, Vc/Cb, Bc, [2 Ob]

Soli STB, Coro SATB, 2 Vl, Va, Vc/Cb, Bc, [2 Ob]

Soli STB, Coro SATB, 2 Vl, Va, Vc/Cb, Bc, [2 Ob]

Rejoicing silently and in a subdued manner, 'Missa paschalis', with its lyric melody and pleasantly austere sonority, tells of the topic of every celebration of Mass: of the hope of resurrection.Thank...

Rejoicing silently and in a subdued manner, 'Missa paschalis', with its lyric melody and pleasantly austere sonority, tells of the topic of every celebration of Mass: of the hope of resurrection.Thank...

Rejoicing silently and in a subdued manner, 'Missa paschalis', with its lyric melody and pleasantly austere sonority, tells of the topic of every celebration of Mass: of the hope of resurrection.Thank...

Rejoicing silently and in a subdued manner, 'Missa paschalis', with its lyric melody and pleasantly austere sonority, tells of the topic of every celebration of Mass: of the hope of resurrection.Thank...

Stimmensatz - 1/1/1/1/1 - Fl Vl Va Vc

Nur wenige von Ignaz Pleyels Kompositionen - die zu seinen Lebzeiten höchst beliebt waren - sind heute so präsent wie die Violinduos op. 8: Diese gehören zum Standardrepertoire im Violinunterricht. Mi...

Der Mythos um die Nymphe Dafne war im 17. Jahrhundert der erste Opernstoff der Musikgeschichte. Der junge Komponist Benjamin Schweitzer hat ihn 2005 nach dem Libretto des Barockdichters Martin Opitz n...

An Zimmern was initially planned to be part of a cycle of Hölderlin settings. Hölderlin's late lyrics offer a certain riveness between equation, lunatic bursts and a dissociated smoothness. This 'rive...