Nico Muhly
Time After Time
NUOVO
PDF
vista
Nico Muhly
Time After Time
- Formazione sassofono soprano, marimba e percussioni
- Compositore Nico Muhly
- Casa Editrice St. Rose Music Publishing
- Numero d'ordine SRO100014-DL
immediatamente disponibile
Scarica subito dopo l'ordinazione
IVA inclusa,
Escluse le spese di spedizione
Non disponibile in tutti i Paesi. Saperne di più
Descrizione:
Nico Muhly's Time After Time, scored for Soprano Saxophone, Marimba and Percussion. The work was composed in 2003 and lasts around 8 minutes.
Time After Time wascomposed for the Yesaroun' Duo (comprising multi-percussionist Sam Solomon & saxophonist Eric Hewitt) and marimbist Nancy Zeltsman. Muhly states that he set out to write a piece that was primarily energetic and rhythmicallychallenging enough for two percussionists and one honorary percussionist to play. The title refers to the fact that all the material recycles itself at different speeds.
The Marimba'slong, quasi-chorale lines proceed, initially, without noticing the rhythmic shifts and upheaval below. Halfway through the piece, a jagged Marimba solo features the instrument's precise, dance-like qualities, and after being joinedby the Saxophone and Percussion, propels the whole ensemble towards the rhythmic and harmonic excesses of the final section.
Time After Time wascomposed for the Yesaroun' Duo (comprising multi-percussionist Sam Solomon & saxophonist Eric Hewitt) and marimbist Nancy Zeltsman. Muhly states that he set out to write a piece that was primarily energetic and rhythmicallychallenging enough for two percussionists and one honorary percussionist to play. The title refers to the fact that all the material recycles itself at different speeds.
The Marimba'slong, quasi-chorale lines proceed, initially, without noticing the rhythmic shifts and upheaval below. Halfway through the piece, a jagged Marimba solo features the instrument's precise, dance-like qualities, and after being joinedby the Saxophone and Percussion, propels the whole ensemble towards the rhythmic and harmonic excesses of the final section.