Bobbi Fischer
Te Deum
per soli, coro misto, congregazione e banda
Dimostrazione
ascoltare
PDF
vista
Bobbi Fischer
Te Deum
per soli, coro misto, congregazione e banda
- Compositore Bobbi Fischer
-
Difficoltà
- Edizione partitura per scaricare
- Casa Editrice Carus-Verlag
- Numero d'ordine CV27188-00-DL
immediatamente disponibile
Scarica subito dopo l'ordinazione
IVA inclusa,
Escluse le spese di spedizione
Non disponibile in tutti i Paesi. Saperne di più
Descrizione:
After Missa Latina and Magnificat, Te Deum is now the third major composition by musician and composer Karl Albrecht “Bobbi” Fischer published by Carus. Fischer’s musical roots lie in classical music, which he combines with jazz elements and Latin American rhythms.
All three styles appear in the Te Deum. In keeping with the proclamation “Te Deum laudamus” (We praise thee, O God), the work begins with the festive (Cuban) energy, propelled by timpani and trumpet; the choir can also be heard imitating fanfares. Later, a cappella choruses become a recurring element, in which phrases set as Gregorian chant are presented against an ever-changing chordal background. But the score also features elements of swing and rhythm & blues, frenetic choral outbursts of joy, as well as moments of mystic contemplation. Moreover, the instrumentalists are given ample opportunity for improvised solos. Interwoven into the otherwise Latin text is the well-known German chorale Großer Gott, wir loben dich. Here several verses can be sung with the congregation; alongside the original German text, the score features the English translation “Holy God, we praise thy name”.
> An exciting combination of classical choral music with elements of jazz and Latin American music
> The congregation can take part in the performance (chorale)
> Singers can choose between Latin/German or Latin/English
> Varied mix of styles
> An enrichment of our crossover program
All three styles appear in the Te Deum. In keeping with the proclamation “Te Deum laudamus” (We praise thee, O God), the work begins with the festive (Cuban) energy, propelled by timpani and trumpet; the choir can also be heard imitating fanfares. Later, a cappella choruses become a recurring element, in which phrases set as Gregorian chant are presented against an ever-changing chordal background. But the score also features elements of swing and rhythm & blues, frenetic choral outbursts of joy, as well as moments of mystic contemplation. Moreover, the instrumentalists are given ample opportunity for improvised solos. Interwoven into the otherwise Latin text is the well-known German chorale Großer Gott, wir loben dich. Here several verses can be sung with the congregation; alongside the original German text, the score features the English translation “Holy God, we praise thy name”.
> An exciting combination of classical choral music with elements of jazz and Latin American music
> The congregation can take part in the performance (chorale)
> Singers can choose between Latin/German or Latin/English
> Varied mix of styles
> An enrichment of our crossover program