Xiaoyong Chen
Speechlessness, Clearness And Ease
for ensemble
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Xiaoyong Chen
Speechlessness, Clearness And Ease
for ensemble
- Formazione Ensemble
- Edizione partitura
- Compositore Xiaoyong Chen
- Casa Editrice Sikorski Musikverlag
- Numero d'ordine SI8574
IVA inclusa,
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Descrizione:
Der Titel dieser Komposition besteht aus drei einsilbigen chinesischen Wörtern: Stumm/Sprachlosigkeit, Klarheit und Behaglichkeit/inneres Wohlgefühl. Sie sind einerseits drei Grundstimmungen, musikalische Charaktere und Imaginationen, die zeitlich miteinander verknüpft, ineinandergefügt und nebeneinandergestellt wurden - andererseits können sie wegen der Mehrdeutigkeit jeder Einzelwörter mehrschichtig assoziiert werden. Einige kurze Zitate aus dem Buch Laotse werden als Laute in ähnlicher Weise ins Ensemble integriert und klanglich weiter verfremdet. Die Musik pendelt zwischen Täuschung und Wirklichkeit, zwischen Klängen und Geräuschen, zwischen realen und künstlichen Klangwelten. Diese Komplexität in der Musik mag vergleichbar sein mit meiner Existenz - meiner neuen Identität. Sind fremde Kulturen wirklich zu verstehen? Kann eine direkte Mixtur zwischen zwei total verschiedenen Klangkörpern gelingen? ... Ich weiss nur, es wird eine neue Art entstehen. (Xiaoyong Chen) ---------------------------------------------------------
The title of this piece consists of three Chinese characters: yin ?ù speechlessness, xi ?ù clearness and yi ?ù ease, inner well-being. On the one hand they express three fundamental states of being, musical characters which can be variously combined or juxtaposed with one anther. On the other hand, the ambiguity of the individual words can give rise to many different associations. In a similar way sounds derived from a short quotation from the book Laotse are transformed by the ensemble. The music oscillates between illusion and reality, between notes and noise, between the sounds of the real world and of music. This musical complexity is comparable to my own existence, my new identity. Can we really understand other cultures? Can we mix two such different bodies of sound? All I know is that something new has been created. (Xiaoyong Chen)
The title of this piece consists of three Chinese characters: yin ?ù speechlessness, xi ?ù clearness and yi ?ù ease, inner well-being. On the one hand they express three fundamental states of being, musical characters which can be variously combined or juxtaposed with one anther. On the other hand, the ambiguity of the individual words can give rise to many different associations. In a similar way sounds derived from a short quotation from the book Laotse are transformed by the ensemble. The music oscillates between illusion and reality, between notes and noise, between the sounds of the real world and of music. This musical complexity is comparable to my own existence, my new identity. Can we really understand other cultures? Can we mix two such different bodies of sound? All I know is that something new has been created. (Xiaoyong Chen)
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