Spartiti per ensemble misto

For me, as someone who considers myself far removed from Christian spirituality and closer to the concept of Immanence than to any form of Transcendence, it was obvious to me that I would not compose...

In dem von der Musik des tibetanischen Buddhismus inspirierten Werk imitieren Bassklarinette und Klavier durch spezielle Spieltechniken die typische Instrumente, die in rituellen Zeremonien zum Einsat...

The distinctive, motor-like rhythm and echoes of Arabian folk music characterise the three variations, rich in contrast, for two pianos and percussion. A perfect addition to the modern classics for th...

Der argentinische Komponist Martín Palmeri legte mit diesem Werk eine ausführliche Magnificat-Vertonung der besonderen Art vor: Mit Bandoneón und Klavier, dazu ein Streichorchester zum gemischten Chor...

Dieses vokal-instrumentale Werk verbindet einen mittelalterkichen Gesang, die gregorianische Choralmelodie Da pacem Domine aus dem 9. Jahrhundert mit dem Kirchenlied O ewger Gott, wir bitten dich gib...

In his work, the composer combines jazz expressions with classical, formal structures, using the special features of both instruments in a varied and charming way. A piece to discover!

This short duet by contemporary Russian composer Nikolai Kapustin has a driving syncopated rhythm and edgy harmonic palette. Kapustin makes good use of both the cello's rich sonority and its more hard...

'Should muses be silent while the guns speak?' asks Jörg Widmann, who was only 20 years old when composing this piece, with his Trio for Clarinet in B flat, violin and piano, a musical essay on three...

This concerto follows the structure of the Italian overture - fast, slow, fast. The first movement is a sonata form without development, based on three themes, rhythmical, oriental, waltz respectively...

If a chanson is combined with a birthday celebration (in this case, that of the Ensemble Utopik who commissioned this new work), this inevitably brings back scenes of childhood. For me, Adieu Madras c...

My Sextet for piano and winds was originally written for piano and string quartet. The first movement is filled with drama and passion. Its atmosphere can be seen to be related to my Second Symphony '...

As far back as I can remember, I have always been fascinated with fairy tales: with their archetypal characters and set phrases like 'Once upon a time ...' and '... they all lived happily ever after'....

Inspired by Heinrich Heine's poem Ihr Bild in the musical setting by Franz Schubert, the seven short movements with connecting interludes evoke the picture of a nightly round dance in an imagined scul...

Bertold Hummel schrieb das vorliegende Ave Maria für seinen Sohn Martin, der dieses Stück auch in Begleitung des familiären Streichquartetts musizierte, wovon eine noch erhaltene Bratschenstimme zeugt...

Der dreiteilige Zyklus des späten Schulhoff für Mezzosopran, Flöte, Viola und Violoncello enthält die Vokalkompositionen Wiegenlied und Der Bettler sowie das kurze Instrumentalstück Die Drähte. Die Vo...

Composed for the 90th birthday of György Kurtág, the only five-minute trio is characterized by a condensed, contemporary spirit of playing. The change between piccolo and alto flute, magical sound sur...

Heinz Holliger composed the three-movement work in January 2016 as funeral music for the legendary flutist Aurèle Nicolet who had died shortly before. The pivotal middle movement sons d'or for bass fl...

The clarinetist and winner of the ARD music competition, Sebastian Manz, presents, with this arrangement, a virtuosic and varied expansion of the repertoire for wind quartet. The work by the only 23-y...

Heinrich Poos´ Ein Stundenbuch is a contribution to the Luther Year 2017. Poos sets relevant passages from the Bible to music, such as Die Seligpreisungen for choir (SSAATTBB), positive organ, violonc...