Spartiti per ensemble misto

Sinfonia Da Camera Op. 139 For 17 Instruments was composed by Niels Viggo Bentzon in 1962.

Niels Viggo Bentzon: Stivnet Erfaring, Op. 184 (Player's score)1965Musikteatralsk kollektivpraestation for blandet ensemble

Niels Viggo Bentzon: 4 Happenings (Player's score)1965

Automaten is the full Operatic score by Danish composer and pianist, Niels Viggo Bentzon.

Niels Viggo Bentzon's Quintett in one movement for Flute, Oboe, Clarinet, Bassoon and Piano. Composed in 1942. This is a manuscript edition score.

Niels Viggo Bentzon's Quintett in one movement for Flute, Oboe, Clarinet, Bassoon and Piano. Composed in 1942. These are manuscript edition parts.

Quartetto Per Due Flauti, Fagotto E Cembalo Op. 380 has been composed by Niels Viggo Bentzon.

Quartetto Per Due Flauti, Fagotto E Cembalo Op. 380 composed by Niels Viggo Bentzon. This is the perfect addition to the full score (WH32002).

Klimatiske Forandringer / Climatic Changes Op. 474 for Baritone Saxophone solo, Piano solo and Ensemble (1985) by Niels Viggo Bentzon.

Panorama For 11 Instruments Op. 545 (1990) by Niels Viggo Bentzon. Manuscript copy.

Niels Viggo Bentzon's Two Monkton-Blues Op. 127 for Ensemble, composed in 1960.

Musique Religieuse - Motets Et Chants Religieux Paroles Latines

Il "Concerto da Camera" è un concerto in tre movimenti per l'insolita combinazione di flauto, corno inglese e orchestra d'archi scritto da Arthur Honegger alla fine della sua carriera, nel 1948. Il pe...

Il "Concerto da Camera" è un concerto in tre movimenti per l'insolita combinazione di flauto, corno inglese e orchestra d'archi scritto da Arthur Honegger alla fine della sua carriera, nel 1948. Il pe...

For 2 flutes, clarinet and piano (or 2 violins, viola and piano).

Prelude A 2 Voix is the first part of Arthur Honegger's Trois Contrepoints for Oboe and Cello.

The third part of Honegger's Trois Contrepoints is entitled Canon Sur Bass Obstinee A Quatre Voix, and is written for Piccolo (Flute), Cor Anglais, Violin and Cello.

2Vl,Pos,Bc

(Hrsg.: Schickhaus). Moderne Tonsprache, anspruchsvolle Konzertliteratur. 16'30.

Im Mittelpunkt stehen bestimmte Intervalle. Mixturen entstehen, choralartige Abschnitte, tänzerische Themen. Auftragswerk des Bluval-Festivals 2001. 17'10.