Jacob Gade, Carlos Gardel, Eduard Pütz, Sebastian de Yradier
4 Tangos
for String Quartet (and Double Bass ad lib.)
Jacob Gade, Carlos Gardel, Eduard Pütz, Sebastian de Yradier
4 Tangos
for String Quartet (and Double Bass ad lib.)
- Formazione quartetto d'archi (2 violini, viola e violoncello)
- Formazione opzionale quintetto d'archi (2 violini, viola, violoncello e contrabbasso)
- Compositore Jacob Gade Carlos Gardel Eduard Pütz Sebastian de Yradier
- Editore Wolfgang Birtel
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Difficoltà
- Edizione partitura e parti
- Casa Editrice Schott Musik
- Numero d'ordine ED21043
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Descrizione:
Tango - a dance, a music genre, an awareness of life, 'a sad thought that can be danced' (according to a tango composer). The terms and definitions are as varied as the range of styles of the works.
The present volume deliberately presents four entirely different characters: 'Jalousie' by the Danish composer Jacob Gade which probably is the best-known dance tango; 'Mi Buenos Aires Querido', a work by the classical Argentine composer Carlos Gardel; 'Tango appassionato' by Eduard Pütz, a 'tango nuevo' in the tradition of Astor Piazzolla; and finally, 'La Paloma' by Sebastián der Yradier, a tango arrangement of the title that, according to GEMA, is the most popular melody of the 19th century.
The arrangements for string quartet are melodious and easy to play, a delight for both performers and audience alike.
A double-bass part (ad libitum) is included to complement the sound.
The present volume deliberately presents four entirely different characters: 'Jalousie' by the Danish composer Jacob Gade which probably is the best-known dance tango; 'Mi Buenos Aires Querido', a work by the classical Argentine composer Carlos Gardel; 'Tango appassionato' by Eduard Pütz, a 'tango nuevo' in the tradition of Astor Piazzolla; and finally, 'La Paloma' by Sebastián der Yradier, a tango arrangement of the title that, according to GEMA, is the most popular melody of the 19th century.
The arrangements for string quartet are melodious and easy to play, a delight for both performers and audience alike.
A double-bass part (ad libitum) is included to complement the sound.