Spartiti classici

Sei limerick anonimi e umoristici sono qui proposti dal compositore David Gerig per coro TTBB non accompagnato. I cori sono invitati ad aggiungere movimenti e caratterizzazioni durante l'esecuzione pe...

Program this moving patriotic piece to celebrate our country at any time of year. An all-new original melody and a shimmering accompaniment beautifully highlight Francis Scott Key's words from 'The St...

Program this moving patriotic piece to celebrate our country at any time of year. An all-new original melody and a shimmering accompaniment beautifully highlight Francis Scott Key's words from 'The St...

A triumphant unison fanfare sounds a clarion call in praise of music at the start of this concert/contest opener, followed by a contemplative, chant-like middle section on a brief Latin text. An accel...

A triumphant unison fanfare sounds a clarion call in praise of music at the start of this concert/contest opener, followed by a contemplative, chant-like middle section on a brief Latin text. An accel...

Scritta nel 1864, Up on the Housetop è conosciuta come la seconda più antica canzone natalizia laica, con Jingle Bells che è la prima. È anche la prima canzone natalizia a concentrarsi principalmente...

Männerchor - TTBB Romantik

This setting of Psalm 116 by Charpentier for men's voices, two violins and keyboard is an excellent work of the early Baroque era, ideal for festival and all-state performances.

This setting of Psalm 116 by Charpentier for men's voices, two violins and keyboard is an excellent work of the early Baroque era, ideal for festival and all-state performances.

This arrangement of the classic tenor solo is full of wonder and whimsy. The melody is shared among all vocal parts and flexible tempi and beautiful style are required for an informed performance.

This arrangement of the classic tenor solo is full of wonder and whimsy. The melody is shared among all vocal parts and flexible tempi and beautiful style are required for an informed performance.

Here is the 10th movement from the Handel Oratorio Judas Maccabaeus. Sung by a bass soloist in the major work, this arrangement is skillfully set to fit the voices of young men.

Here is the 10th movement from the Handel Oratorio Judas Maccabaeus. Sung by a bass soloist in the major work, this arrangement is skillfully set to fit the voices of young men.

In Shakespeare's play 'The Tempest' Caliban is a character who is half human and half monster. In spite of his wild personality he nonetheless delivers the beautiful lines found in this text as if to...

In Shakespeare's play 'The Tempest' Caliban is a character who is half human and half monster. In spite of his wild personality he nonetheless delivers the beautiful lines found in this text as if to...