Spartiti classici

Il mio nuovo lavoro per il CALMUS Ensemble è stato commissionato per il loro 25° anniversario e continua una collaborazione molto intensa e di successo dopo la mia composizione "And why?". Dalla sua p...

Vocal Score

A diptych by poet Mary Jo Salter, the text of Fred Hersch's Two Haiku compares the fleeting span of a life to the turning of the seasons. In addition to painting the words of these brief stanzas with...

Composto per coro misto non accompagnato da Melissa Dunphy su testo di Dora Sigerson Shorter, I am the World è un brano emozionante, pulsante e affermativo che si sviluppa fino a un emozionante finale...

Nocturne è una composizione di Jocelyn Hagen per SATB (divisi) e corno francese. Utilizzando un testo del collaboratore abituale Todd Boss, questo pezzo si svolge delicatamente come un orologio che ti...

My Heart Danceth by Eleanor Alberga, written for SSAATTBB unaccompanied voices.

The Morning star - fades from the sky is an anthem by Judith Bingham for unaccompanied SSATB voices.

This is one of VOCES8's earliest arrangements by Jim Clements and was first performed at London's Royal Opera House. Many well-loved tunes from famous operas appear in this 4-minute piece and there is...

Vytautas Miškinis (b.1954) is a composer, choir conductor and educator. His output encompasses over 400 secular and around 150 sacred, works; in addition to over 100 folk song arrangements. His music...

Diese wunderschöne, 6 Minütige doppelchörige Vertonung des Gedichts 'Vertue' von George Herbert wurde 2019 gemeinsam von Wiltshire Creative und dem Lichfield Festival für Voces8 in Auftrag gegeben.

Jonathan Dove's We Are One Fire, was commissioned as a birthday present for the 90th anniversary of the BBC Symphony Chorus. Dove turned to playwright Alasdair Middleton for a text that could serve as...

A setting for unaccompanied SATB choir with divisi of George Herbert's poem. The richly textured homophonic piece ends with a beautiful ostinato. Duration 4'30'

British composer Ken Burton uses the writing of Paul Laurence Dunbar (1872-1906), the black American son of emancipated slaves, in his 3-minute work A Prayer. The text of the three verses is bitter-sw...

Can you hear me? is written for eight-part a cappella choir and sets a new text by Peter Thomson that asks simple but fundamental questions about the need for human contact. First performed by the Nat...