Spartiti classici

The lyrics of the Persian poet Hafez, are often quoted as proverbs and sayings to be pondered. The musical treatment of this choral adds an intensity and depth to those words. Listening becomes more a...

The lyrics of the Persian poet Hafez, are often quoted as proverbs and sayings to be pondered. The musical treatment of this choral adds an intensity and depth to those words. Listening becomes more a...

Every so often an arranger takes a familiar folk song and redresses it so incredibly that it feels like a brand new piece. Such is the case with this arrangement. It is both old and new all at once; a...

Every so often an arranger takes a familiar folk song and redresses it so incredibly that it feels like a brand new piece. Such is the case with this arrangement. It is both old and new all at once; a...

Commissioned by the United States Air Force Band, Colonel Don Schofield, Commander and Conductor based on the 1819 poem by Walt Whitman.

Commissioned by the United States Air Force Band, Colonel Don Schofield, Commander and Conductor based on the 1819 poem by Walt Whitman.

The name SAM-Klang takes the three voice parts from the arrangements - Soprano, Alto and Men - and combines it with the Scandinavian and German words for ‘sound’ to create the portmanteau word ‘sound...

The name SAM-Klang takes the three voice parts from the arrangements - Soprano, Alto and Men - and combines it with the Scandinavian and German words for ‘sound’ to create the portmanteau word ‘sound...

The Amanda Quist Choral Series features this new edition of Vittoria Aleotti's a cappella setting of Baciai per aver vita skillfully edited by Jami Lercher. Clarity of line and a firm harmonic base ma...

The Amanda Quist Choral Series features this new edition of Vittoria Aleotti's a cappella setting of Baciai per aver vita skillfully edited by Jami Lercher. Clarity of line and a firm harmonic base ma...

The name SAM-Klang takes the three voice parts from the arrangements - Soprano, Alto and Men - and combines it with the Scandinavian and German words for ‘sound’ to create the portmanteau word ‘sound...

The name SAM-Klang takes the three voice parts from the arrangements - Soprano, Alto and Men - and combines it with the Scandinavian and German words for ‘sound’ to create the portmanteau word ‘sound...

The name SAM-Klang takes the three voice parts from the arrangements - Soprano, Alto and Men - and combines it with the Scandinavian and German words for ‘sound’ to create the portmanteau word ‘sound...

The name SAM-Klang takes the three voice parts from the arrangements - Soprano, Alto and Men - and combines it with the Scandinavian and German words for ‘sound’ to create the portmanteau word ‘sound...

The name SAM-Klang takes the three voice parts from the arrangements - Soprano, Alto and Men - and combines it with the Scandinavian and German words for ‘sound’ to create the portmanteau word ‘sound...

The classic text by Robert Burns is given a fresh, lush, and accessible treatment in this skillful setting by Andrew Bruhn. Inspired by folk singing, each voice part takes its turn at the melody, thre...

The classic text by Robert Burns is given a fresh, lush, and accessible treatment in this skillful setting by Andrew Bruhn. Inspired by folk singing, each voice part takes its turn at the melody, thre...

Edited and arranged by John Leavitt, this well-known Italian madrigal is offered in two voicings, enabling singers to be successful, while staying true to the stylistic period.

Edited and arranged by John Leavitt, this well-known Italian madrigal is offered in two voicings, enabling singers to be successful, while staying true to the stylistic period.

Edited and arranged by John Leavitt, this well-known Italian madrigal is offered in two voicings, enabling singers to be successful, while staying true to the stylistic period.

Edited and arranged by John Leavitt, this well-known Italian madrigal is offered in two voicings, enabling singers to be successful, while staying true to the stylistic period.

The Out from the Shadows Choral Series brings you Summer Is Gone, a new setting of British poet Christina Rosetti's 1862 poem Bitter for Sweet. The composer, Samuel Coleridge Taylor, displays superb c...

The Out from the Shadows Choral Series brings you Summer Is Gone, a new setting of British poet Christina Rosetti's 1862 poem Bitter for Sweet. The composer, Samuel Coleridge Taylor, displays superb c...

Im Wald (In the Forest) is number six of the Gartenlieder by Fanny (Mendelssohn) Hansel. A sprightly and refreshing piece, beautifully edited by Michelle Jensen, it fits perfectly in any program about...

Im Wald (In the Forest) is number six of the Gartenlieder by Fanny (Mendelssohn) Hansel. A sprightly and refreshing piece, beautifully edited by Michelle Jensen, it fits perfectly in any program about...