Spartiti classici

In his poem, High Flight, John Magee describes the delirious feeling of wheeling and soaring, and an intimate connection with the divine. Hunt reflects these feelings throughout his lyric unison melod...

Il delizioso e ritmicamente interessante arrangiamento di Americana di Kendall è molto adatto a cori di voci bianche di tutte le capacità. Un accompagnamento pulsante aggiunge un movimento in avanti a...

I vostri cantanti ameranno tuffarsi nella divertente e sbarazzina interpretazione di Courtney di questo amato brano americano, che contiene un'interazione tra le parti vocali e un coinvolgente battito...

The Haunting per voci SSA e pianoforte è un'opera corale affascinante che fonde armonie eteree con un testo poetico e ammaliante. Esplorando i temi degli spiriti persistenti e degli echi del passato,...

In questa composizione della poesia di Abbie Farwell Brown, Tompkins trasforma il semplice schema di rime della Brown in un vibrante gioco di tessiture omofoniche e polifoniche. Centrata sul secondo g...

Little Tree consists of three short choral settings of poems by E. E. Cummings, with a total duration of around 6 minutes. The first song Little tree is in three voices(SSA); the next movement I carry...

Song For Athene' is a work by British composer John Tavener, arranged by Barry Rose for Upper Voices and Organ, with optional Cello. The text is taken from Shakespeare's 'Hamlet', as well as from the...

John Tavener's 'Awed By The Beauty', from 'The Veil Of The Temple'. This arrangement is for Upper Voices with Organ Accompaniment, by Barry Rose. The all-night vigil 'The Veil Of The Temple' was comm...

Holy Innocents is a work by Judith Weir for 2-part Soprano Chorus and Organ Accompaniment. Commissioned to mark the 20th Anniversary of St Albans Abbey Girls Choir, the piece sets a poem by Christina...

Day by Day was written for the Chamber Choir of Burntwood School and their conductor Debbie Lammin. It was first performed by them on 25th March 2019 at the Royal Festival Hall, London, as part of A B...

Asphodel is an aria based on Margaret Atwood's The Penelopiad to a libretto by Jeanne Pansard-Besson.

Commissioned by Simon Halsey CBE & Jack Apperley at the University of Birmingham for the singers of University Upper Voices. First performed by University Upper Voices directed by Jack Apperley on 11t...

Schumann verwendet für die Vertonung von 'Zigeunerleben' einen Rhythmus, der an einen Bolero oder Fandango erinnert, um dem Versmaß von Emanuel Geibel gerecht zu werden. Variationsreiche Stimmwechsel,...

Diese Sammlung von Sechs Liedern für Frauenstimmen enthält sechs relativ unterschiedliche Stücke, die sowohl in der Sprache ihrer Liedtexte (Finnisch und Schwedisch) als auch in Umfang und Besetzungs...

Un testo della poetessa americana Sara Teasdale (1884-1933) è alla base della composizione Afterwards della direttrice del coro e compositrice Lucia Birzer. La poesia There will come soft rains tratta...

Un testo della poetessa americana Sara Teasdale (1884-1933) è alla base della composizione Afterwards della direttrice del coro e compositrice Lucia Birzer. La poesia There will come soft rains tratta...

Coro SSMezAA

This art song was originally composed not for chamber choir, but for solo voice and piano. Denis Rouger has carefully adapted it to suit the requirements and expressive possibilities offered by a larg...