Spartiti classici

Un'opera per coro femminile a 6 voci, che raccoglie 7 poesie haiku scritte da giapponesi-americani costretti a vivere nei campi di internamento durante la Seconda Guerra Mondiale, è una potente testim...

This charming secular Renaissance lied for treble voices is an excellent introduction to imitative part-singing and will be a superb addition to concert and contest programs. German and English lyrics...

This charming secular Renaissance lied for treble voices is an excellent introduction to imitative part-singing and will be a superb addition to concert and contest programs. German and English lyrics...

This collection is a fantastic resource for introducing the music of the Renaissance to your women's choir. The five well-known and representative works are: How Merrily We Live (Michael East), Sonate...

This collection is a fantastic resource for introducing the music of the Renaissance to your women's choir. The five well-known and representative works are: How Merrily We Live (Michael East), Sonate...

Originally written for SATB a cappella, new arrangements with piano accompaniment make this wonderful new carol accessible to all choirs.

Originally written for SATB a cappella, new arrangements with piano accompaniment make this wonderful new carol accessible to all choirs.

I will be with you sets a reflective text by the composer with a message of enduring solace. Lush harmonies, with predominantly homophonic passagework, coupled with flowing and cascading lines in ever...

Setting the modernized words of an Anglo-Saxon metrical charm, this thrilling piece is unusual, dramatic, and beguiling. Featuring a whispered list of potion ingredients for the intro and outro, it al...

Oliver Tarney has re-worked his popular unaccompanied minature The Waiting Sky for upper voices. While it would make a beautiful addition to a concert programme at other times of the year, the setting...

Sing, my Child sets a joyful text celebrating the beauty found all around us in everyday life. Characterized by tight harmonies and a dynamic percussion line, the buoyant 7/8 metre of the opening driv...

Oliver Tarney has re-worked his popular unaccompanied minature The Waiting Sky for upper voices. While it would make a beautiful addition to a concert programme at other times of the year, the setting...

A bright and breezy piece with a charming text by Charles Bennett, A Tree of Song begins with a jaunty 7/8 figure which recurs throughout the piece, with the melody floating above. Alternation between...

This imaginative setting of Longfellow's poem encourages the use of evocative bird and wind noises to capture the text's natural imagery. In a fresh, a cappella style, Hawley's charismatic melodies so...

'TaReKiTa' is a refreshing concert piece that effortlessly blends the Indian and Western classical styles. The composer's scats are combined with a fast triple metre, vocal slides, and captivating mel...

per SSAA non accompagnato. Garden of Dreams contiene frammenti di testo di Saffo, tradotti da Arthur Sanders Way e A. S. Kline. Sarah Quartel ha utilizzato ritmi incrociati, sincopi e linee melodiche...

Setting inspiring words by James Weldon Johnson, this work is both poignant and stirring, encouraging singers and listeners to reflect on the challenges of present times and to move forward with coura...

Keeping Time for Joy di Marie-Claire Saindon abbonda con la gioia del testo della scrittrice contemporanea Sarah Windle in questo brano edificante. Le melodie scalari di stampo folk, infuse di slancio...

Dedicato alle "sorelle di tutto il mondo", questo lavoro in tre movimenti combina una serie di temi attraverso la poesia di Sara Teasdale. Il primo movimento, "Sister of the Sky", si concentra sul mat...

Un'enigmatica presenza femminile si agita in una volubilità cupa e preoccupata, con frasi brevi e taglienti: questa prima metà della poesia "Ghost" di Florence Delay è come un grido d'angoscia repress...

Olli Kortekangas suite in four movements (text in Finnish) is suitablbe for juvenile choir.

Tre naturscener for descant choir (1976-77, rev. 2016) by Lars Karlsson is set to Gustaf Fröding's vivid poems in Swedish.

Composed in 2016 for the Maîtrise de Radio France, 'Ce n'était pas nous' for upper voices sets short poems by Antoine Thiollier which are at once playful and serious.

Lilting and light, the contrasting sections of this 16th century Italian madrigal provide an ideal introduction to this important musical style. Whether you enjoy singing a cappella or with piano, con...