Musica da chiesa

SSAT soli, SSATTB chorus and orchestra

Eja, mater, fons amoris ("O, Madre, fonte d'amore") è un estratto del poema latino del XIII secolo Stabat Mater, un inno alla Vergine Maria che descrive la sua sofferenza durante la crocifissione del...

Il testo si basa sul sonetto di Petrarca "Or ch'l ciel e la terra", notoriamente musicato da Monteverdi nel suo ottavo libro di madrigali. In inglese, il brano riduce le parole a una forma elementare...

A recorder method for children. This method is designed to be used by people who know nothing or very little about music and cannot read notation.

A recorder method for children. This method is designed to be used by people who know nothing or very little about music and cannot read notation.

Patrick Liebergen's edition of Bruckner's masterwork brings this 19th Century choral treasure to life for contemporary choirs. An excellent selection to develop phrasing, dynamics and legato choral te...

Patrick Liebergen's edition of Bruckner's masterwork brings this 19th Century choral treasure to life for contemporary choirs. An excellent selection to develop phrasing, dynamics and legato choral te...

Breathtaking! This gorgeous setting of the Agnus Dei text begins piano and gradually crescendos to a mezzo forte before ending in a pure, hushed final major chord. Easy to teach, this ABA-form piece w...

Breathtaking! This gorgeous setting of the Agnus Dei text begins piano and gradually crescendos to a mezzo forte before ending in a pure, hushed final major chord. Easy to teach, this ABA-form piece w...

The energy of this piece is derived from the layering effect of vocal lines and handclaps. The interweaving of voice parts makes for joyous part singing.

The energy of this piece is derived from the layering effect of vocal lines and handclaps. The interweaving of voice parts makes for joyous part singing.

The energy of this piece is derived from the layering effect of vocal lines and handclaps. The interweaving of voice parts makes for joyous part singing.

Much repetition and a catchy makes this 7/8 number deceptively easy to learn. Opens with eight measures in 7/8, then a smooth, homophonic andante section in 4/4, followed by a repeat of the opening 7/...

Much repetition and a catchy makes this 7/8 number deceptively easy to learn. Opens with eight measures in 7/8, then a smooth, homophonic andante section in 4/4, followed by a repeat of the opening 7/...

Although this work is sometimes referred to as a madrigal, it's really in the French chanson style: a polyphonic song popular in the fifteenth and sixteenth centuries. The subject, typical of a chanso...

Although this work is sometimes referred to as a madrigal, it's really in the French chanson style: a polyphonic song popular in the fifteenth and sixteenth centuries. The subject, typical of a chanso...

Here's a true choral fanfare from Sally Albrecht. It opens with an 'Alleluia' section in which the male voices echo the females, as trombones might echo trumpets in a Baroque brass work. This is follo...

We might have called this piece: 'Greatest Hits of the Sixteenth Century!' It's every madrigal you can think of (plus a few you can't) cleverly woven into a tight, fun to sing medley. Each madrigal de...

This merry madrigal will be a nice addition to your 3-part choir's a cappella seasonal repertoire. Characteristic counterpoint makes this original Donald Moore piece a familiar form but, unlike many R...

Show off the a cappella achievements of your advanced choir with this stunning tour-de-force by one of Alfred's best, Sally K. Albrecht. Half of the group chants a rhythmic ostinato accompanying the i...

Show off the a cappella achievements of your advanced choir with this stunning tour-de-force by one of Alfred's best, Sally K. Albrecht. Half of the group chants a rhythmic ostinato accompanying the i...

There are several editions of this famous 16th century work, but none as well crafted as this one by Sherri Porterfield. The open score is easy to read and the editing is right on target for today's 3...

There are several editions of this famous 16th century work, but none as well crafted as this one by Sherri Porterfield. The open score is easy to read and the editing is right on target for today's 3...

Sing we a song that takes but a minute. ' This clever a cappella original captures all of the character and charm of a true Renaissance madrigal and adds a touch of timeless (or rather, 'timed') humor...

Sing we a song that takes but a minute. ' This clever a cappella original captures all of the character and charm of a true Renaissance madrigal and adds a touch of timeless (or rather, 'timed') humor...