Musica da chiesa

Scottish Melody arranged by Robert Shaw and Alice Parker. The words are the English translation of an Orthodox Hymn.

For SAATBB Choir A Cappella. With choice of English or Portuguese texts.

Anthem for Mixed Voices A Cappella. Text from Psalm 25.

Arrangment for SATB Choir A Cappella by R. Baldwin.

Bruckner's simple but profound motet is reminiscent of the Renaissance masters, but with a harmonic palette firmly placed in the Romantic era. The Latin text comes from the Mass celebrated at the dedi...

A Setting of Psalm 100 for Four-Part Chorus of Mixed Voices A Cappella. Edited by Boyd Bacon. English text provided as alternative.

Henry Cowell's Psalm 121 for four-part Chorus of Mixed Voices a cappella.

For Double Choir A Cappella. Text: Gerard Manley Hopkins

The composer of the popular Shakespeare Songs brings us this simple and eloquent new setting of the well-known prayer.

From Psalm 137, By the rivers of Babylon, there we sat down, yea, we wept, when we remembered Zion, this a cappella motet is filled with longing and deep emotion. Performance Time: Approx. 5:00

This work for mixed chorus and semi chorus of the text from Ruth 1:16-17 and texts from Proverbs 30:18-19 and Psalm 139:6 is a rich, largely homophonic setting that expressively portrays Ruth's famous...

This work for mixed chorus and semi chorus of the text from Ruth 1:16-17 and texts from Proverbs 30:18-19 and Psalm 139:6 is a rich, largely homophonic setting that expressively portrays Ruth's famous...

Part of a larger work, Requiem for Peace, this piece was built on a cantus firmus melody by Kuni Murai and honors the suffering civilians of the world who have been caught in the cross fire between wa...

The Ave Maria has been sung, chanted and prayed in churches, cathedrals and cloisters since before the Middle Ages. This setting, which includes quotations from the plainsong chant, depicts the voicin...

One of the four Marian antiphons, this devotional text has been sung in monastic choirs for centuries. This setting features a homophonic texture and a simple ABA form. Duration: ca. 4:15.

With homage to Bruckner and Messiaen, the gentle phrases and rich harmonies of this contemporary Latin setting will resonate throughout your performance space. 'Sleep, Jesus. Thy mother smiles when sh...

Kirke Mechem's choral works consistently reflect his ability to create memorable, meaningful and artistic experiences for performers and audiences. The first in the set, I Will Sing Alleluia, is writt...

Kirke Mechem's choral works consistently reflect his ability to create memorable, meaningful and artistic experiences for performers and audiences. The first in the set, I Will Sing Alleluia, is writt...

Samuel Barber created this arrangement while he was conducting the Madrigal Choir at the Curtis Institute. His editorial markings and interpretations have been meticulously recreated for this immensel...

Lux Aeterna by Ivo Antognini for unaccompanied SATB choir.

Lux Aeterna by Ivo Antognini for unaccompanied SATB choir.

This work is dedicated to the memory of the legendary choral director Paul Salamunovich and his favorite musical genre of Gregorian chant. The composer has written an original chant in the Gregorian s...

This work is dedicated to the memory of the legendary choral director Paul Salamunovich and his favorite musical genre of Gregorian chant. The composer has written an original chant in the Gregorian s...

This haunting, introspective plea for relief begins as a near-whisper and rises to an intense clangor. Through the mantra-like repetition and gradual transformation of the words from this timeless Psa...

This is an a cappella setting of Psalm 23, set in Hebrew. Composer Judith Shatin wrote this piece in 1995 and dedicated it to the memory of Prime Minister Yitzhak Rabin.