Noten für Chorleiter

In this piece we are told of the manner in which things described by the Passionate Shepherd will be changed with the passing of time; only if youth and love prevail will the nymph accept the shepherd...

In a world filled with intense divisions of faith, we often forget our common ancestors, the common pillars of our religious heritage. In this work, the composer has mixed the Hebrew and Latin texts o...

A romper stomper of a French Canadian folk song, full of call and response, that features a soli line suitable for mezzo sopranos. Although the score has parts for several percussionists, as well as b...

Chorpartitur - Instrumentalstimmen enthalten

Panda Chant is a section from The Games: a science fiction opera by Meredith Monk and Ping Chong, which was originally created for the Schaubühne Ensemble of West Berlin. Monk composed the music and a...

Words and Music attributed to Alkony.

This setting of Solveig's Song from Act V of Ibsen's Peer Gynt is a gentle lullaby in ABA form. It features a variety of choral textures, some alternation of meters and interplay between the mezzo-sop...

Jim Papoulis is donating his composer royalties to the Foundation For Small Voices, a non-profit organization dedicated to bringing awareness and funding to programs supporting the empowerment of chil...

The Latin poem, O Maria Maris Stella, existing in manuscript in several 13th Century codices, constitutes the text of a celebrated anonymous Marian motet. Hawley's setting allows the verse to speak th...

Jim Papoulis is donating his composer royalties to the Foundation For Small Voices, a non-profit organization dedicated to bringing awareness and funding to programs supporting the empowerment of chil...

“Ohisashi buri,” or “It's been a long time” in Japanese, is a greeting between friends. The text is a collection of shouts of encouragement, taken from four traditional Japanes...

Originally scored for SATB and String Quartet. Organ reduction included. Adapted from Dante's The Divine Comedy (Paradise, Canto II and XXXIII, translated by Laurence Binyon).