Noten für Chorleiter

This haunting melody has been recorded by everyone from Charlotte Church to Andrea Bocelli and no wonder: it's gorgeous. And the harmonies are lush, and unexpected for a 16th century piece. The voice...

A new classic from Donald Moore: a skillfully arranged version of the famous Bach/Gounod 'Ave Maria. ' Your choir will sound impressive singing these lyric lines and rich harmonies set to an 'Alleluia...

The meter often changes in Jay Althouse's provocative Gloria Allelu, but only the accompanist needs to handle the scattered five-four bars. Modern choral harmony, vast dynamic contrast, and captivatin...

This majestic piece is a glorious addition to choral concerts and festivals year round. Earlene's 6/8 setting of the Latin text is underscored by a full-sounding piano accompaniment that is not diffic...

Expertly written by Sally K. Albrecht for today's choirs, this Latin-text piece opens with a fanfare and evolves into an energetic work. The choral writing is traditional and powerful, and the piano a...

Un'ambientazione toccante del testo latino che si traduce in "Dove c'è carità e amore, c'è Dio". Il brano si apre in sordina, con una dichiarazione all'unisono della melodia. Suggerimento didattico: i...

Especially arranged for double 3-part mixed or SSA choirs, each phrase of this famous Italian madrigal is sung by Choir I and repeated precisely by Choir II, many times overlapping to create a texture...

An artful setting of the familiar 'Gloria' text, which features infections rhythms, layered melody lines, and fantastic optional percussion parts . . . all in a minor key. Effective as a processional,...

Premiered at Lincoln Center, this exciting mixed-meter festival piece features both Latin and English versions of Psalm 130: 'Out of the depths I have cried to thee, O Lord.' Recording provided by Uni...

Considered to be one of the most important choral works of our time, each of five individual movements is beautifully set with strength and dignity. The Latin texts from the Mass Ordinary provide a ve...

Powerful and intense! Angular phrases and percussive attacks add to the drama in this contemporary setting of the day of wrath text. A tour de force for accomplished choirs.

Presentiamo l'amata "Ave Maria" di Gounod, basata su un preludio del Clavicembalo ben temperato di J.S. Bach, in un arrangiamento corale accessibile. La melodia passa attraverso tutte le voci, mentre...

Dan Schutte's modern classic 'Here I Am, Lord' is seamlessly paired with a beloved hymn to create an inspired new setting of these favorites. Mary McDonald's careful craftsmanship shines through in th...

This tender song of remembrance features a poignant original text combined with Latin phrases from the Requiem Mass. Close cluster chords, beautifully sculpted phrases, and expressive dynamics leave t...

This lovely arrangement of a brief, but artfully crafted movement from one of Mozart's masterworks is highly recommended for intermediate singers. With only a short phrase in Latin to learn, plenty of...

This ideal concert opener presents a fusion of joyful Latin phrases and exuberant English text. A contrasting 'Alleluia' section echoes legato lines between paired parts. Use the optional divisi at th...

Uno spiritual trascinante e drammatico incontra l'avvincente testo latino del "giorno dell'ira" in questo arrangiamento unico da non perdere. Provate l'emozione di metri misti e mutevoli, di frasi cro...

Questa scorrevole e melismatica ambientazione latina offre a ogni voce qualcosa di soddisfacente da cantare. Dopo un breve assolo iniziale e la presentazione del tema principale, una sezione in tonali...

La cantata "Wie schön leuchtet der Morgenstern" (BWV 1) fu composta il 25 marzo 1725, quando la festa dell'Annunciazione coincideva con la Domenica delle Palme. L'ignoto librettista ha mantenuto le st...

Alt solo, Tenor solo, Bass solo, Gemischter Chor-SATB, Oboe, Fagott, Klarinette in b, Streicher, Basso continuo. Klavierauszug; Urtextausgabe

Kantate zum Sonntag Sexagesimae (Leipziger Fassung). Gemischter Chor-SATB - Chorpartitur

La cantata "Ich hatte viel Bekümmernis" fu composta intorno al 1713 e fu probabilmente eseguita dal compositore per la prima volta nello stesso anno alla Liebfrauenkirche di Halle. Probabilmente fu as...

La cantata di Johann Sebastian Bach "Der Himmel lacht! Die Erde jubilieret" BWV 31 fu composta a Weimar per la domenica del 21 aprile 1715. Il testo di Salomon Franck è strettamente legato al Vangelo...