Spartiti per coro misto

For SATB and organ with optional strings. This setting invites the congregation to join in with several of the verses. Verse 1 is sung in unison, verse 2 is men only, verse 3 is a capella, and verse 4...

for soloist and SATB unaccompanied The text is a compilation of various spiritual texts. It is written in the style of an African American Spiritual, but with a contemporary flair. This is jubilant ch...

For SATB with divisions, unaccompanied Choirs will enjoy singing the lush, expanded harmonies in this short, breathtaking anthem. The fourteenth-century text is used widely during communion, but is al...

For SATB unaccompanied. No. 1 of Three Spirituals. This lively spiritual setting is perfect for all choirs looking to energize any church service or concert. A chromatic modulation jump starts each ne...

For SATB unaccompanied. In this haunting and plaintive setting of the classic spiritual, Warren creatively evokes a stark tone of loneliness and despair with descending chromatic inner voices in the o...

For SSAATTBB unaccompanied. This rhythmic and spirited setting of the familiar hymn is perfect for large choirs either as a commemoration piece or in a concert setting.

For SATB unaccompanied. Right from the first bar, this upbeat, refreshing arrangement of the African American spiritual will catch the attention of the performer and audience. Culminating in six-part...

For SATB unaccompanied. This is a lush setting of three poems by Sara Teasdale who, in 1918, won the precursor to the Pulitzer Prize for Poetry. This piece would make a welcome addition to the reperto...

Oxford Music from Canada is a new series of choral pieces by significant Canadian composers that reflect the themes and texts of Canada. for SATB unaccompanied Chatman captures the true spirit of a lo...

For SATB unaccompanied. The music opens with 'oos', and, after a pause, the choir enters, singing in Latin, sempre legato. Bassi writes lush choral lines with suspension after suspension, which result...

A setting of a poem by Ursula Wood, later to become Ursula Vaughan Williams. The dedication reads, 'To the memory of Charles Villiers Stanford, and his Blue Bird'.

For SATB Choir a cappella. Arranged by J. Michael Diack.

Each of the five connected movements in this choral cycle contains references to 'Light, ' assembled from various sacred Latin texts. I composed Lux Aeterna in response to my mother's final illness an...

Each of the five connected movements in this choral cycle contains references to 'Light, ' assembled from various sacred Latin texts. I composed Lux Aeterna in response to my mother's final illness an...

Four poems sharing a common motif of 'Night' provide the texts for my choral cycle Nocturnes, the American Choral Directors Association's commissioned work for its 2005 national convention. For Rilke'...

For Chorus of Mixed Voices A Cappella

For S.A.T.B., a cappella (English text)

Echo, Double Chorus for Mixed Voices, a cappella

S.A.T.B., a cappella

For Soprano Solo and Mixed Voices, a cappella

For S.S.A.T.B., a cappella

For Double Chorus, a cappella