Spartiti per coro misto

Pärt's take on the Te Deum text, also known as the Ambrosian Hymn, employs his signature tintinnabuli style of composition. The melodic lines, as well as their harmonies, strictly follow the rhythms o...

Instrumentierung: für Solisten: Sopran, Alt, Tenor, Bass, Chor SATB Orgel und Orchester

Für Solisten: Sopran, Alt, Tenor, Bass, Chor SATB, Orgel und Orchester. Sprache: altkirchenslawisch.

Gottwald always seems to find forgotten gems, and these Three Songs by Hans Sommer are an example. Based on texts by Goethe, they are arranged in inspired form for mixed chorus. For advanced choirs.

The Berlin Mass is intended to be sung liturgically during Pentecost, and includes the Veni Sancte Spiritus specific to that service. The gently unfolding repetition deliberately avoids dramatic and p...

UE choral editor Clytus Gottwald brings us Three Early Songs of Anton Bruckner (Frühlingslied, Herbstkummer, and Im April), originally for voice and piano and now in settings for six-part choir. For a...

With songs translated by Clytus Gottwald, these three short songs for choir are a perfect introduction to Austrian composer, Joseph Marx's, body of work.

Composer and choir master Clytus Gottwald comments on his transcription of Anton Webern’s Im Sommerwind (1904) as follows: 'First of all I had to eliminate all those parts of the source material that...

Unlike the works Karol Szymanowski composed during the first two decades of the 20th century, his Stabat Mater could only have been written in a country with Slavic culture. Drawing on his musical roo...

Unlike the works Karol Szymanowski composed during the first two decades of the 20th century, his Stabat Mater could only have been written in a country with Slavic culture. Drawing on his musical roo...

Nine newly composed hymn tunes to the text of N. F. S. Grundtvig. Choral score available: WH33308B. Melody part available: WH33308C. Nine newly composed hymn tunes to the text of N. F. S. Grundtvig. C...

Das Offertorium Gloria et honore war von Carl Maria von Weber zu seiner 1818 in Dresden komponierten Messe Nr. 1 in Es-Dur op.75 für Soli, gemischten Chor, Orchester und Orgel gedacht. In den Ausgaben...

This haunting melody has been recorded by everyone from Charlotte Church to Andrea Bocelli and no wonder: it's gorgeous. And the harmonies are lush, and unexpected for a 16th century piece. The voice...

This majestic piece is a glorious addition to choral concerts and festivals year round. Earlene's 6/8 setting of the Latin text is underscored by a full-sounding piano accompaniment that is not diffic...

A solemn chant provides the compelling opening for this thrilling mixed-meter piece. Eventually the sequential melody, sung first in unison, develops into full homophonic writing. Resonant chords ring...

This ideal concert opener presents a fusion of joyful Latin phrases and exuberant English text. A contrasting 'Alleluia' section echoes legato lines between paired parts. Use the optional divisi at th...

Klavierauszug nach dem Urtext der Neuen Mozart-Ausgabe. Gemischter Chor-SATB, Posaune (3), Streicher, Orgel - Klavierauszug

Riduzione per pianoforte basata sull'Urtext della Nuova Edizione Mozart. Coro misto-SATB, archi, organo - riduzione per pianoforte

Kantate zum 27. Sonntag nach Trinitatis

Franz von Suppè scrisse il suo "Requiem" non come un lamento generalmente umano o panteistico per i morti, ma come un'opera di confessione consapevolmente cristiano-cattolica. Il fatto che Suppè sia r...