Spartiti per coro maschile

This delicate and sensitive new arrangement of beloved American classic, arranged for the Harvard Glee Club by its former director, Jameson Marvin, is worthy of any fine men's choir. With counterpoint...

This delicate and sensitive new arrangement of beloved American classic, arranged for the Harvard Glee Club by its former director, Jameson Marvin, is worthy of any fine men's choir. With counterpoint...

Introducing Four Shape Note singing to your young singers, this arrangement from the Sacred Harp is full of energy. Young singers will relate to the positive message and they will be surprised that 19...

Introducing Four Shape Note singing to your young singers, this arrangement from the Sacred Harp is full of energy. Young singers will relate to the positive message and they will be surprised that 19...

For TTBB (and two soloists) unaccompanied This is a stirring arrangement of the gospel classic for unaccompanied male voices, with two idiomatic solos. Jefferson's characterful arrangement of the fami...

The Parting Glass is a traditional Scottish song, often sung as a farewell at the end of a get-together. Sarah Quartel's arrangement features close harmonies, idiomatic Scotch snap rhythms, and effect...

Very effective, this arrangement using gently blending vocal lines evokes wonderful imagery.

This lively reimagining of the traditional hymn is a thrilling a cappella arrangement which pairs the soaring legato melody with a rhythmic vocal accompaniment. Together, these elements capture both t...

Sing, my Child sets a joyful text celebrating the beauty found all around us in everyday life. Characterized by tight harmonies and a dynamic percussion line, the buoyant 7/8 metre of the opening driv...

Skilfully set to tender words by the poet e e cummings, 'I carry your heart', this piece was commissioned by the acclaimed close-harmony group, The King's Men, and was recorded on their album Love fro...

TTBB non accompagnato. Con le parole ispirate di James Weldon Johnson, quest'opera è al tempo stesso toccante e commovente. My heart be brave è la scelta ideale per i cori che vogliono affrontare temi...

TaReKiTa is a refreshing concert piece that effortlessly fuses the Hindustani (North Indian) and Western classical music styles. The composer's scats are combined with a fast triple metre, vocal slide...

Sarah Quartel brings a fresh take on a familiar fifteenth-century text in this enchanting carol. The dialogue between Mary and the infant Jesus is woven to a beguiling folk-like melody, in 6/8 metre,...

per TTBB non accompagnato. Questa ambientazione di profonda bellezza di John Rutter di una delle prime preghiere inglesi, tratta dal Sarum Primer del 1514, è stata appositamente adattata dal composito...

Questo canto per coro a cappella accosta il testo latino a uno spiritual giubilare che celebra i Magi che videro la stella condurli al neonato. La naturale energia ritmica è amplificata dalle sincopi...

This carol for a cappella choir juxtaposes Latin text with a jubilee spiritual celebrating the Magi who saw the star to lead them to the newborn child. The natural rhythmic energy is amplified by sync...

This is a stirring arrangement of the gospel classic I am on the battlefield for my Lord by Robert L. Jefferson for unaccompanied mixed voices, with two idiomatic solos. Jefferson's characterful arran...

This is a stirring arrangement of the gospel classic for unaccompanied male voices, with two idiomatic solos. Jefferson's characterful arrangement of the familiar melody features swing rhythms, jazz h...

A Tagalog folk song for TTBB unaccompanied - Tagalog is the major language of the Philippines, related to the Indonesian language.

Come pezzo occasionale, questo brindisi celebra la carriera di Henry Barraud (1900-1997), compositore e amico originario di Bordeaux. Come direttore musicale della radio francese e poi dell'ORTF, la s...

Under the heading of opus 1 Sibelius grouped together five Christmas carols for voice and piano, written between 1895 and 1913. Best known of these is Giv mig ej glans, ej guld, ej prakt (We ask for N...