Spartiti per coro

Purcell Society Volume 22. Original Engraving.

Henry Purcell's What Shall Be Done In Behalf Of The Man for CtTB Soli, SATB Chorus, Continuo and Strings. Duration: Approximately 15 minutes.

Henry Purcell's What Shall Be Done In Behalf Of The Man for CtTB soli, SATB chorus, Continuo and Strings. Duration: Approximately 15 minutes.

The first complete volume of Henry Purcell's Catches to appear in Purcell Society Edition since 1922. The new edition lays particular emphasis on accuracy and performance and includes a comprehensive...

A beautifully-presented, cloth-bound full score of Purcell's Catches. This new edition lays particular emphasis on accuracy and performance, and includes a comprehensive commentary. Paperback edition...

The popular and lively traditional air, arranged for Unison voices, with descant and Piano accompaniment by Thomas Dunhill.

The Grasmere Carol is a two-part song for trebles and piano. Words and music by Arthur Somervell. Dedicated to The Grasmere Players.

For Unison Voices and Piano accompaniment. Text: Marion May.

For Unison Voices and Piano accompaniment. Music adapted from an old English melody by Thomas Dunhill. Text: Rose Fyleman.

Sleep Little Boy is a Christmas song for Unison voices and Piano with text by Jack Fuller. This song is an extract from Herod, Do Your Worst, a Nativity Opera.

Sound The Trumpet arranged for soprano voices in two parts by Henry Purcell.

Unison song from The Fairy Queen.

English translation of this Mendelssohn song for SS chorus and piano accompaniment.

Unison song from Rodelinda, using words by W. G. Rothery.

A work by Peter Jenkyns for unison voices and piano.

For unison voices and piano. Words and music by Peter Jenkyns.

Charles Augustus Fortescue, with music by Alan Bullard and words by Hilaire Belloc. For unison or two-part voices with Piano accompaniment.

English translation of this Mendelssohn song for SS chorus and piano accompaniment.

A two-part song for female voices, with words by J. Vila Blake (from Ruckert).

A two-part song for female voices, with words written by Sydney Dobell.

Arranged as a two-part song by the composer, using words by W. G. Rothery.

Mendelssohn's I Waited For The Lord (The Hymn Of Praise) arranged for two high voices in the Key of D. Although it is often performed as a seperate work, The Hymn Of Praise was originally written as p...