Spartiti per coro

An expressive setting of the text of a traditional folk hymn. An arrangement for men's voices is also available.

For SATB unaccompanied, or with guitar, harp, or keyboard. A delightful Spanish carol, wonderfully evocative of the era with its very lively, dance-like rhythms. Texts are in both the original Spanish...

An attractive, melodic setting of the well-known 15th-century Christmas poem.

For unaccompanied SATB choir. A richly chromatic motet using a text from The Song of Songs.

This setting was first published in 1980. It has now been thoroughly revised by the composer and this new edition is suitable for modern liturgical usage (Rite A).

For SSAATTBB unaccompanied. The music is based on the tune 'Cranham' by Gustav Holst, words are by Christina Rossetti.

A Russian folksong for SSATB voices, unaccompanied

For unaccompanied SATB choir with division. A medieval carol-text set as a stomping dance of rejoicing in a faux-medieval vein.

for SATB unaccompanied

for SATB unaccompanied

A lively sixteenth-century anthem based on Psalm 81.

The Church Music Society affirms the importance of music in worship and of the effective use of music appropriate to its proper liturgical use. It strives always to sustain the Church's wonderful musi...

Wer kennt das Nasobem noch nicht? 'Es trat aus meiner Leyer zum ersten Mal ans Licht', schrieb Morgenstein darüber. J. W. Brennans Musik unterstreicht dieses Geschehen aufs Beste. Leicht.

Leid, Freude, eine tiefe Frömmigkeit und oft beschränkte Verhältnisse kennzeichneten die Lebenswelt des Ostjudentums. Hiervon zeugen auch die vorliegenden sechs jiddischen Volkslieder. Leicht.

Die Reihe "im Chor" bietet Schulchören und Laienchören leicht erlernbare Chormusik aus unterschiedlichen Genres und Epochen. In dem vorliegenden Band präsentiert Rudolf Jaggi ein Potpourri mit Melodie...

Fünf Christmas Songs für gemischten Chor SATB (a cappella). Mit deutschen und englischen Texten. Zusätzlich sind Akkordbezeichnungen angegeben. Der Schwierigkeitsgrad für den Chor istleicht, die Begle...

These two anthems are examples of Lauridsen's style in embryo, as it were, for both were written while the composer was just twenty-seven years old. Both anthems evince the contrapuntal mastery that w...