Spartiti per coro

This stately and powerful setting of Isaiah: 40:9-11, 28-31 requires a bit of work, but sends chills up the spine of congregation, or concert audience.

Fairly easy madrigal for secondary chorus, from the Charles Hirt Choral Masterworks Series

From Walter S. Collins' familiar choral masterworks, 'Thomas Morley's bright sixteen-measure masterpiece is perhaps the most frequently sung piece from the entire English madrigal period, though it is...

A cappella arrangement of a Ghanaian folk song for youth or adults, this would work well when the focus is service or diversity

This is an excellent concert pick for advanced college or community chorus! The inspiring words by Goethe are sung in German, but a translation is provided.

From our Choral Masterworks Series, this polyphonic setting derives from his Missa Dominicalis. Both the Kyrie and the Christe Eleison are preceded by plainsong, to which each section relates. Medium...

A gentle prayer of love and reassurance

As organist and choirmaster at Oslo's modern Torshov church, Norwegian composer Knut Nystedt finds in worship not only strength for his inner life, but the stimulation for a great deal of his work as...

An original spiritual with some really nice harmonies, it is not hard once you get the rhythm.

This extremely popular anthem is one of the choruses from John Stainer's 'The Crucifixion, ' a large choral work usually described as a cantata or oratorio but which the composer called 'a meditation...

Di Lasso's lively canon, edited and with English text by Charles C. Hirt

Two hymns from nineteenth century collections by Joseph Funk, arranged by Alice Parker for her two act opera singer's glen: a look at the ongoing dialogue between the artist-as-visionary and the estab...

This is a moderately challenging, a cappella setting of Psalm 144, 'What is a man that you even notice him?'

Mark Hayes arrangement of the Stephen Foster classic is great for groups from junior high on up.

Original, accessible settings of familiar words, designed expressly for the quiet time during or after communion.

Instrumentation: Violin 1, Violin 2, Viola, Cello, Bass, and Score

This paean to music is not too difficult so it is doable in the German, but the English is included.