Spartiti per coro

Viktor Ullmann composed his choral arrangements of Hebrew, Yiddish and Hasidic songs in the Theresienstadt ghetto in 1943/1944. It was internded as a source for melody and text orthography and was pub...

Volksweisentext.

Volksweisentext.

This musical setting of a German poem by an unknown poet (English translation by Matthias Rein) has won second prize at the prestigious composition competition of the ChorVerband NRW in 2012, as has t...

What most makes me a human being?' This is the existential question that Vincent Van Gogh asked his brother in a letter and that he answered himself at once: 'A person who doesn't feel small - who doe...

Above the central prayer of Christianity, the composition with its dense sounds and atmospheric colours develops a mood of profound awe and self-contained strength. An expressive composition of our ne...

At the end of December 1930, Nino Rota travelled to the United States of America where he was accepted at the Curtis Institute of Music in Philadelphia upon the recommendation of Arturo Toscanini. One...

Tuned wine glasses are made to vibrate and sing, creating a floating-ethereal bed of sound for this setting of Edgar Allan Poe's poem on transience. Dreamy, a little melancholy and harmonically simple...

Pascal Martiné is a much sought-after choral composer, both at home and abroad. The fact that the founder and director of the women's choir 'Luna' from Mainz has developed a special interest in the pu...

Pascal Martiné is a much sought-after choral composer, both at home and abroad. The fact that the founder and director of the women's choir 'Luna' from Mainz has developed a special interest in the pu...

Anyone who likes refined rhythms, razor-sharp articulation, lively melismata, and high soprano notes will certainly be in for a treat with the sacred choral composition Cantate Domino by Pascal Martin...

Anyone who likes refined rhythms, razor-sharp articulation, lively melismata, and high soprano notes will certainly be in for a treat with the sacred choral composition Cantate Domino by Pascal Martin...

Feierlich, sphärisch, geradezu erhebend - diese Attribute treffen auf Rolf Rudins Würzburger Halleluja in besonderer Weise zu. Die mehrstimmige Coda-Komposition zum Halleluja-Gesang GL 175,4 von Heinr...

A beautiful new tune to the Catholic prayer to Virgin Mary. The prayer begins with the angel Gabriel's greeting to Maria 'Ave Maria, gratia plena, Dominus Tecum!' which means' Hill you, Mary, full of...

Questo meraviglioso set di due amate canzoni popolari francesi, J'entends le Moulin e Au Claire de la Lune, offre ai cori di voci bianche in via di sviluppo l'opportunità di cantare note accessibili,...

La balena, il cavallo e l'elefante sono i soggetti di queste tre deliziose e brevi canzoni popolari spagnole a cappella, che possono essere eseguite come insieme o separatamente. Le note di esecuzione...

Questa accessibile interpretazione di The Star-Spangled Banner è stata creata appositamente per i cori di voci bianche in via di sviluppo, offrendo un arrangiamento chiaro e semplice che raggiunge com...

JB Levine's lovely arrangement of the Hanukkah blessing melody, used all over the world, now set for SSA choirs, is authentic, accessible and sure to bring light to any concert.

Home, composto da Z. Randall Stroope per voci SSAA, mette in scena la poesia del poeta irlandese Francis Ledwidge. Questo lavoro tenero ed espressivo esplora i temi della nostalgia, della memoria e de...

Shadows That Run intreccia una melodia ammaliante con un sottofondo di pulsazioni ritmiche, creando un'atmosfera misteriosa e avvincente. Cantato a cappella, le voci brillano e si spostano come le imm...

These were commissioned by Pamela Cook and Cantamus and were first performed in 1972. They are for unnacompanied SSA voices.

Tavener's 1996 work for unaccompanied SSA choir, commissioned by Les Petit Chanteurs de Saint-Andre de Colmar.

Songs From North And South by Magnus Lindberg. 5 songs for upper voices unaccompanied.

The Lamb is John Tavener 's setting of a poem by William Blake, arranged here for unaccompanied Upper Voices by Barry Rose. The work lasts around 3 minutes. The Lamb  has long been a favourite of...