Coro e Canto

Liturgical Motet Nr 5 for Easter, or Feasts of Our Lady

Although written in 1928, this anthem still has the freshness and liturgical appropriateness typical of Willan's work.

for SATB unaccompanied

A motet for SATB unaccompanied voices

For unaccompanied SATB. A more serious central shanty, Demons, is framed by two light-hearted settings, Enticement and Drunken Sailor. The ending is extrovert and rumbustious and almost guaranteed to...

for SATB unaccompanied

For SSATBB unaccompanied

for SATB unaccompanied

An imaginative setting of a lively Norfolk folk song.

For SATB unaccompanied or with brass ensemble, full orchestra or string orchestra. Instrumental material is available on hire.

For SSATB unaccompanied. This expressive setting clearly strives for an audible projecton of the text by means of sections that echo natural speech rhythms.

An expressive setting of the text of a traditional folk hymn. An arrangement for men's voices is also available.

For SATB unaccompanied, or with guitar, harp, or keyboard. A delightful Spanish carol, wonderfully evocative of the era with its very lively, dance-like rhythms. Texts are in both the original Spanish...

An attractive, melodic setting of the well-known 15th-century Christmas poem.

For unaccompanied SATB choir. A richly chromatic motet using a text from The Song of Songs.

This setting was first published in 1980. It has now been thoroughly revised by the composer and this new edition is suitable for modern liturgical usage (Rite A).

For SSAATTBB unaccompanied. The music is based on the tune 'Cranham' by Gustav Holst, words are by Christina Rossetti.

A Russian folksong for SSATB voices, unaccompanied

For unaccompanied SATB choir with division. A medieval carol-text set as a stomping dance of rejoicing in a faux-medieval vein.

for SATB unaccompanied

for SATB unaccompanied

A lively sixteenth-century anthem based on Psalm 81.

The Church Music Society affirms the importance of music in worship and of the effective use of music appropriate to its proper liturgical use. It strives always to sustain the Church's wonderful musi...

Wer kennt das Nasobem noch nicht? 'Es trat aus meiner Leyer zum ersten Mal ans Licht', schrieb Morgenstein darüber. J. W. Brennans Musik unterstreicht dieses Geschehen aufs Beste. Leicht.

Leid, Freude, eine tiefe Frömmigkeit und oft beschränkte Verhältnisse kennzeichneten die Lebenswelt des Ostjudentums. Hiervon zeugen auch die vorliegenden sechs jiddischen Volkslieder. Leicht.