Coro e Canto

This a cappella setting accompanied by simple hand percussion is full of mystery and pulse. The haunting Scottish melody is woven with familiar and unfamiliar harmonies above a steady percussion creat...

Let the Women Sing! A Cappella is a new collection of reproducible choral works for SSA a cappella choirs. Spirituals, distinctive texts, multicultural, folk songs, Christmas and general concert works...

Un pezzo emozionante per un concorso o un festival! La vitalità ritmica e le solide armonie spingono questo lavoro verso una potente conclusione. Disponibile: SSA a cappella, 3 parti miste a cappella.

Impressive for contest use, yet extremely effective as a training piece for treble voices. Julie Knowles writes practical yet exciting music for school use. Available: SSA a cappella.

This contemporary original is an accessible concert or contest work for young choirs and features a strong rhythmic drive with contrasting mixed meter sections.

This contemporary original is an accessible concert or contest work for young choirs and features a strong rhythmic drive with contrasting mixed meter sections.

Viva La Musica! ( Long Live Music!) is a wonderful theme for any concert. And David Brunner has crafted a wonderful concert opening with a strong, bold, unison exclamation to open the piece. Originall...

This arrangement of the Trio from Elijah is for an a cappella three-part Chorus of Women's Voices. The score includes piano for rehearsal purposes only.

God So Loved The World is an anthem for three-part chorus of women's voices unaccompanied. Arranged by Bryceson Treharne.

For Women's Voices A Cappella.

Arranged for SSA Choir A Cappella by David Shand.

Arranged for full chorus of Women's voices (SSAA) a cappella, with the original Portuguese words and music.

This arrangement of the Appalachian Carol by John Jacob Niles and Gwynn S. Bement was comissioned for the Elmira College Glee Club and is for a Soprano soloist and Upper Voices (SSA). A piano reductio...

A Choral Scherzo on a well-known tune for Full Chorus of Women's Voices (SSAA).

This edition of Cantate Domino is an arrangement for women's voices, in which a relatively broad spread of a men's choir is narrowed down to the more limited sonorous range of a women's chorus. This r...

Edited and arranged for 3-Part Chorus of Women's Voices by Jerry Weseley Harris. English text alternative provided.

(Malotte/arr. Christopher) SSAA a cappella

Using the text of Octavio Paz, this new piece by Matthew Harris is in three movements: 'Xochipilli, ' 'Ni?o y Trompo' and 'Objetos. ' Each is from Paz's larger poem Lección de cosas, a musing on littl...

This piece available for SSATTB, SSAA and TTBB.

How Like a Winter Hath My Absence Been, for SSSAAA a cappella, was Composed by Matthew Harris and is Shakespeare text set to music. For Choral (SSA Div A Cappella).

Text by George Eliot. 5 minutes.