Walrus Music Publishing

Dramatic and modern, blending jazz with elements from the classical world like minimalism and serialism. While this piece is not very technically challenging, it requires a mature ensemble (especially...

Dramatic and modern, blending jazz with elements from the classical world like minimalism and serialism. While this piece is not very technically challenging, it requires a mature ensemble (especially...

Dramatic and modern, blending jazz with elements from the classical world like minimalism and serialism. While this piece is not very technically challenging, it requires a mature ensemble (especially...

Dramatic and modern, blending jazz with elements from the classical world like minimalism and serialism. While this piece is not very technically challenging, it requires a mature ensemble (especially...

High spirited flag waving version of the theme from the 'Bluegrass'. Chart features Alto, Trpt solos. No Dbls. Recorded by the Miles Osland Little Big Band on Sea Breeze Jazz.

Up tempo treatment of the anthem from the Hoosier State. A great opener.

Obviously, this is not a chart for those with a fear of ledger lines. Blowing changes appear for Trbn 1, & Guitar. This screams from downbeat to cutoff. Was commissioned by the U.S.A.F 'Airmen of Note...

Ia a samba feature for gifted alto and trumpet soloists. The chart is fairly demanding for the ensemble and does not attempt to avoid unconventional tonal centers (e.g. Cb Major). Despite the challeng...

Malinke's Dance is a funky boogaloo originally recorded live on a CD of the same name by the Marty Ehrlich quartet Traveler's Tales. This arrangement develops material from the live performance into a...

Funhouse was written by Bob Brookmeyer for an extended quartet engagement in 2004 at The Jazz Standard in New York City with Brad Shepik, Drew Gress, and John Hollenbeck. The piece has not been record...

Petite Bete Noir was commissioned by Gene Aitken for the Greeley Jazz Festival All-Star Big Band. Written in a somewahat minimalist style, the piece is based on a four-note cell in the bass voices who...

Written for the Univ. of Miami Concert Jazz Band. This E.C.M groove [St. 8th feel], features Flugelhorn, Soprano & Sax section. 5/5/5/4.

Tunnel is a musical impression of a solitary ride, late at night through a tunnel in the center of a big city. A straight-eigth note piano ostinato sets the course for the reflective melody that is fi...

The most striking aspect of this beautiful, contemporary jazz waltz is how intimate a big band can be made to sound. Guitar & Tenor sax are given a great deal of melody as well as extended solo statem...

For those of you who just couldn't get enough Moleids, here's the long awaited sequel. This driving hip-hop/ funk composition has little in common w/its sister chart other than a sense of adventure, p...

A lovely, 3/4 ballad featuring guitar (John Abercrombie) that tries to capture the late afternoon/early evening skies in Tuscany. The pensive 'A' section stated in the guitar is contrasted by a delica...

Fun, excitement, and the best ride in the land - that's what an E Ticket used to get ya'. Well, guess what...it still does! Written for the amazing talents of Ingrid Jensen; this piece features the tr...

Chuck initially composed this catchy little ditty for four horns and rhythm. The funky-N' Awlins groove was so much fun the big band arrangement was sure to follow. Solos (scored for tenor sax and org...

This is the one being recorded by the Army Jazz Ambassadors as part of a tribute to Benny Carter.

Dave Liebman commissioned this for his NY Big Band, but we just recorded it with his permission for the new Surge CD as well. He performed it recently with Univ. of Miami - so imagine he will continue...

Slow, wonderful feeling blues. Features Guitar & Trpt. Recorded by Rob McConnel & the Boss Brass OEven Canadians Get the BluesO.

This an up-tempo burner to feature your tenor saxes. (optional parts can make it one alto and one tenor.) It was written to feature the great Pete Christlieb and Kansas City's Bill Caldwell on the Bou...

A boogaloo in the Sidewinder tradition. Solo for 1st alto. Trombone section featured throughout starting with an unaccompanied intro and then a voiced soli after the theme is stated. Sure to have ever...

This piece asks the following question: 'Can the blues be played without actually playing the blues progression?' There is an emotional progression that lies beneath the chord progression. The theoret...

An up tempo rhythm changes chart written for and recorded by John Von Ohlen and the Blue Wisp Big Band. Features a wild sax soli with soprano lead (alternate alto included.) Solos for trombone, piano,...