Walrus Music Publishing

Down home gospel features unison ens, solo background & a small 3 horn Group. Blossoms into a lengthy tutti shout chorus, to preaching Alto solo over full ens. Recorded by the Kim Richmond Jazz Orches...

Jazz-rock fusion that turns into a samba. Samba provides chord patterns for solos. Linear-styled ens chorus. Dbls.

A fantastic ens intro leads to a hauntingly unusual sinuous melody line on this Latin chart. Middle is a 4 part fugue leading to an exciting traditional Cuban salsa solo, a majestic shout chorus. Solo...

This chart is a tribute to (and quasi-imitation of) the Bill Russo mid-fifties era pieces for the Stan Kenton Orch. Starting with a double time ensemble section, the piece features a strong trombone s...

Starting with a piano arpeggio pattern, this symphonic style tone poem features a series of unison lines from each section that builds from simple to dramatic. A middle section has a calypso mood whic...

A slow conducted intro builds to the expansively dynamic theme constructed on parallel 5ths over med. Tempo driving drums & floating bass. Short Piano solo, second ens section with shifting tonalities...

Style is 'African' latin, 6 beats of triplets, taken in a slow three. Although this piece can be performed without extra percussion, it is greatly enhanced by them. Several Cascara or bell patterns an...

This chart presents a rubato dramatic introduction before the piano pattern establishes the mood of the piece (even-eigths, but not Rock). The orchestra is divided into several different color layers...

This second movement of the Trump Card Suite features duo jazz trumpets in an up-tempo line over the ensemble. A spritely melodic line is followed by the two soloists alternately trading 8-bar ad lib...

This composition is drawn basically from one 2-measure melodic/rhythmic figure. The rhythm is even-eighths with the melodic lines, often sequential developement of the main motif, combining the instru...

This is a powerful piece with a strong theme initially stated in the middle low instruments. The even-eighth style is neither Latin nor rock but has a driving distinctive rhythmic pattern in the drums...

This major piece begins with a lengthy introduction in 9/8 (in a fanfare-ish manner), changing to 3/4 that at first features trumpets, then the entire ensemble and develops into a lyrical but still rh...

This short composition (2 pages) has a sweeping angular melodic line intially stated in the low instruments over a Latin (Bolero) rhythm. The melody works its way upward through different sections, an...

This up-tempo jazz piece starts with a tutti which spins off into a division of the ensemble into unisons which spell a main motif for the piece. The middle section of the head has the soloist (to com...

Even with a seriously evil title, this has some beautiful moments. If you include timpani in your ensemble, this can be an outstanding feature (2 timps possible, better with 3), but it's all cued in o...

Straight ahead, no nonsense blues. Audience will know your band came to play when they hear this chart. It grabs from the opening sax notes & just doesn't let go. Trpr, Tenor & Piano solos. Reminiscen...

Rousing demanding Samba. Much color. Powerful brass. Excellent rhythm drills for entire band. A strong & challenging Latin chart. Dbls.

Ladd's personal favorite as a closer ala Chick Corea. Solos: Soprano sax. Dbls.Recorded by the Ladd McIntosh Big Band on 'Ride the Night Beast'.

Shuffle. Tune features provocative section w/ thrilling unison horn line pitted against your drummer.

Driving 12/8 style! Fun to play. Ladd out did himself on this one. Vigorous, high energy concert work.

Rock. Pure rock. This Ladd McIntosh chart will certainly get your audience off. Rated A w/ IAJE.

Rollicking shuffle. Challenging brass solo. Classic ending. Solos: Tenor, Bone & Guitar. Dbls.

Up-tempo rouser. Exciting unison Trpt line punctuates bass & rhythm. Rich voiced saxes take the bridge. Tenor/Trpt solos. Recorded by Ladd's Big Band on Sea Breeze Jazz.