Walrus Music Publishing

SATB, improv in soprano. This piece, in a medium Latin style, provides a relaxing contrast for the listener in the midst of an energetic concert. The melody is shifted around the top three saxophones...

SATB, improv in soprano and alto. Quartet reduction of wind ensemble with quartet composition. Makes use of rhythm changes, ostinato, and modal techniques within a straight 16th contemporary style. Im...

AATB, improv in alto and tenor. Written as a companion piece to another Hard-Bop Quartet composition, OWith Friends Like These....O O...Who Needs EnemiesO was originally for wind ensemble and quartet....

AATB, alto 1 feature with improv. Rock ballad that features the 1st alto throughout. The piece opens with three quartal chords which set a contemplative mood. Rhythmic interplay in the background supp...

SATB. QUARTETS. Score and parts.

Med up swing. Saxophone Quartet features contrapuntal bebop writing, using two simultaneous, soloistic melodies with accompaniment from another saxophone. Combination of three saxes playing at any one...

SATB, improv in soprano. 7:30. Based on a Newfoundland folk tune that helps audiences to relate to the composition. Difficulty lies in use of mixed meters; however, meters fit into a groove that makes...

This suite which is approximately 30 minutes in length for satb is a challenging orchestration of Liebman's solo recording of this title. It features soprano sax lead, but also many instances of group...

This unique piece features four soprano saxophones in a wide ranging panorama of colors and harmonies with a section of group improvisation featuring assigned multiphonics and false fingerings.

Short tour de force for Soprano, Alto, Tenor, & Baritone Sax's. 4/4 andante into 3/4 Moderato into 6/8 into 12/8 into Swing.S,A,T,B. Medium.

AATB, solos in alto 1 and tenor. The groove is straight, based on a hip-hop beat concept. In rondo form with an ethereal melody over an open fifth modal sound leading into bebop 16ths and modern harmo...

SATB quartet with rhythm section. Quartet not designed to stand alone (harmonies take advantage of roots in the double bass). Solos in bar and alto. Altered harmonic progression stemming from ''''''''...

SATB quartet with rhythm section. Quartet not designed to stand alone (harmonies take advantage of roots in the double bass). Alto feature with homophonic and contrapuntal support from the quartet enr...

The third and last movement of the Continental Suite for saxophone quartet (SATB) concludes with the baritone saxophone feature Angst. The composition features pointed articulation, multiphonics, and...

Vermont Ave. is composed as the first movement of the Continental Suite for saxophone quartet (SATB). It laternates between a straight eigth note feel and a swing feel and includes some very challengi...

SATB. The 'FOUR' in the title is a tribute to the quartet it was written for, FOUR. Of course 'FOURway' suggests an equal meeting; the 'Stop' is a cluster that appears periodically. The a cappella ver...

This composition was premiered at the Scotland World Saxophone Congress. (Originally written for the pianist in the quintet Out Of Nowhere, upon request for a tune that was 'freer or edgier,' the quar...

(SATB) OPTIONAL ( AATB) 1st ALTO Part provided, if no Soprano Sax.Written for SAXOPHONIA, A fun swinging composition,with sparkling ensembles.Complete transposed Score.

SATB) OPTIONAL (AATB) 1st Alto part provided , if no Soprano Sax.Beautiful ballad, with moving counterpoint lines. Written for SAXOPHONIA. Not to worry, this is just the last Cupcake on the plate...we...

(SATB) OPTIONAL (AATB) 1st Alto provided, if no Soprano Sax. Written for SAXOPHONIA. Pretty swing composition with changing melodic combinations. Sparkling ensemble passages.Complete transposed score.

(SATB) OPTIONAL (AATB) 1st Alto Part Provided, if no Soprano Sax.Fun, medium swing composition, with cascading line,and interesting syncopation. Written for SAXOPHONIA. Complete transposed Score.

A beautiful alto ballad starting with a slow 32 bar song form and building to a double time tenor solo and sax soli. It winds down with a return to the bridge in a double time feel and the opening eig...

This is an arrangement of an original 32 bar ABAB' tune, written to the changes of ''''''''Beautiful Love.'''' Charts have a full score and are AATTB + piano, bass & drums.

This Lydian mode bossa nova emphasizes the raised 4th or sharp 11th. It also challenges soloists by covering a wide range of tonal centers. The repetition of simple melodic figures over this somewhat...

Based on an original 12-bar 'non-blues' melody, this chart has a 'wagon wheels' feel. Young players with limited exposure to the blues should feel comfortable with the ionian mode composition, which j...