Studio Music Publishing

for Vocal (boy/girl) duet and brass band. Instrumental parts in B flat and E flat are included as alternatives to the boy/girl vocal parts.

This charming Christmas suite will add a sparkle to any festive occasion. There are three movements which are, in turn, based on Christmas Bells, Whence is this Goodly Fragrance? and The Holly and the...

A three-movement suite which will add something special to your Christmas Concerts. The seasonal tunes are brilliantly worked together. 1. Chaconne (on 'A Virgin More Pure' and 'Sans Day Carol') 2. Sc...

36 popular carols. The following are available on-line: Set of 25 Concert Band parts, Set of 25 Brass Band parts, Score, Percussion & Timpani parts. (All parts are available separately, including opti...

Eight easy duets for bass clef instruments. Suitable for equal or mixed bass clef instruments. Includes: Away in a Manger; Ding Dong Merrily on High; The First Noel; God Rest Ye Merry Gentlemen; Good...

Eight easy duets for bass clef instruments. Suitable for equal or mixed bass clef instruments. Includes: Infant Holy; O Come, All Ye Faithful; Silent Night; O Little Town of Bethlehem; Once in Royal D...

FANFARE, ROMANCE and FINALE can be played as a suite, or the movements can be programmed separately. The FANFARE is scored for brass, the ROMANCE is scored for woodwind and the FINALE is for the whole...

The work has no opus number but was written between his famous Tam O'shanter overture for orchestra (opus 51) and his John Clare Cantata (opus 52) and completed in April 1955. Originally scored for 4...

This work was commissioned by the Royal Military School of Music, Kneller Hall, to celebrate the school's 150th anniversary. Cast in three movements, Intrada, Processional and Processional the piece r...

SPACEWALTZ gives young bands the chance to learn waltz style and too wooden an approach should be avoided by achieving the right amount of stress on the first beat of each bar (bass drum beware!).

WHIRLWIND is a flute solo and (despite the title!) it will be found that a steady waltz tempo works best. Obviously, it is important that the accompaniment remains delicate and that dynamics are adher...