St. Rose Music Publishing

The world premiere was given by Jessica Rivera and Maryann Kim in Weill Recital Hall, Carnegie Hall, New York City on 13 March 2009. The text is taken from Psalms 63 and 56 and from The Gospel accordi...

The Map Of The World is a work by Nico Muhly that sets three texts from Geoffrey Chaucer, John Weever and Shakespeare for High Voice and Piano. The work lasts around 3 minutes 30 seconds.

Next is a work by Nico Muhly which sets words by Andrew Solomon for High Voice and Piano. A performance of this lasts around 5 minutes.

The Place Of Understanding is a work by Nico Muhly for High Voice and Organ, commissioned by The Hanson Institute for American Music of the Eastman School of Music at the University of Rochester. The...

Byzantium is a work by Nico Muhly for Soprano and Piano. It was commissioned by the National Concert Hall, Dublin, and first performed on 13th September 2015. The piece is a setting of a poem by promi...

Whispered And Revealed is a setting of H. W. Longfellow's 'Snow-Flakes' by composer Nico Muhly. It is arranged for SATB Choir and Harp, and this is the full score. The piece lasts approximately 3 and...

Nico Muhly's Friday Afternoons for Upper Voices and Piano. Commissioned by Aldeburgh Music for the Friday Afternoons project.

Nico Muhly 's A Great Stone for treble semichorus and SATB choir unaccompanied. When Joseph had taken the body, he wrapped it in a clean linen cloth, And laid it in his own new tomb, which he had hewn...

Originally for Choir, String Quartet, Percussion & Organ, with text from Leaves Of Grass. Found here arranged for SATB and Piano accompaniment.

In Set Me As A Seal, with words in English and Hebrew, the Choral writing is as warm and freely harmonic as any mid-century English Choral literature, while the sometimes jittery Piano accompaniment m...

Nico Muhly's Looking Up for SATB and Orchestra.

Nico Muhly's Looking Up for SATB and Orchestra.

A Hymn On The Nativity For Chorus, composed in 2011 by American composer Nico Muhly, is a festive work for SATB Choir and Organ setting text by Ben Jonson. It was commissioned by Dean Close School for...

In Bright Mass With Canons, the canonical motifs are present right from the beginning and carry through almost every bar of the work. There are echoes of early English Choral writing and abstracted se...

Nico Muhly's Magnificat and Nunc dimittis was written for the choirs of Clare College and Girton College, Cambridge. This work was first performed in a provisional version in 2004 by the choir of Girt...

Nico Muhly 's Our Present Charter is a work for SATB Chorus and Organ Accompaniment, commissioned for the Choir of the Temple Church, Mother-Church of the Common Law, to celebrate the 800th Anniversar...

Nico Muhly 's Our Present Charter is a work for SATB Chorus and Organ Accompaniment, commissioned for the Choir of the Temple Church, Mother-Church of the Common Law, to celebrate the 800th Anniversar...

The Beatitudes is a work by Nico Muhly, taken from the four-movement work 'Our Present Charter', commissioned by the Choir of the Temple Church, Mother-Church of the Common Law, to celebrate the 800th...

Nico Muhly ha scritto questo breve lavoro per David Skinner e il coro del Sidney Sussex College di Cambridge. È scritto per coro SATB e organo.

Nico Muhly's Let All The World In Every Corner Sing for SATB chorus, Cello and Organ. Vocal Score. Let All The World In Every Corner Sing was commissioned by Graham Ross and the Choir of Clare College...

Nico Muhly's Preservation for SATB and Orchestra.

Lorne Ys My Likinge is a work for Countertenor, Tenor and Piano, composed by Nico Muhly. It is a setting of the 19th Chester Mystery Play and was co-commissioned by Wigmore Hall with the support of An...

Nico Muhly 's Slow is a work for Viol Consort (2 Treble Viols, a Tenor Viol and 2 Bass Viols) that was commissioned by Fretwork and first performed by them on 5th February 2015 at King's Place, London...

Nico Muhly 's Slow is a work for Viol Consort (2 Treble Viols, a Tenor Viol and 2 Bass Viols) that was commissioned by Fretwork and first performed by them on 5th February 2015 at King's Place, London...

Written for SSATB choir. Dedicated to the Manhattan Choral Ensemble.