Southern Music Company

Texas UIL Sightreading for 3A, 2A, and 1A Varsity Tenor-Bass (TBB) Choirs and 5A and 4a Non-Varsity Tenor-Bass (TBB) Choirs. Anna Marie Gonzalez adapted this from music written by William Chappell.

2007 Texas University Interscholastic League Sightreading for 2B, 3C and 2C Varsity Tenor-Bass (TB) Choirs. Text by Isaac Joslyn Cox.

Text by William Blake. 2008 Texas University Interscholastic League Sightreading for 3A, 2A, and 1A Varsity Tenor-Bass (TBB) Choirs and 5A and 4A Non-Varsity Tenor-Bass (TBB).

This piece is a beautiful sacred homage to nature. And arrangement for TB choirs is also available from the publisher.

2008 Texas University Interscholastic League Sightreading for 1B and 1C Varsity Tenor-Bass (TB) Choirs and 3B, 2B, 3C, 2C, and 1C Non-Varsity Tenor-Bass (TB) Choirs. This piece is a beautiful sacred h...

2009 Texas University Interscholastic League Sightreading for 3B, 2B, 3C and 2C Varsity Tenor-Bass (TB) Choirs and 3A and 2A Non-Varsity Tenor-Bass (TB) Choirs.

2009 Texas University Interscholastic League Sightreading for 1B and 1C Varsity Tenor-Bass (TTB) Choirs and 3B, 2B, 1B, 3C, 2C, and 1C Non-varsity Tenor-Bass (TTB) Choirs. Text by Jane Euphemia Brown.

A moderately difficult composition utilizing the less performed time signature of 5/8. This time signature often alternates with 6/8 and other times signatures, making for some flashy rhythmic syncopa...

Anche se nel 1744 Handel presentò l'oratorio BELSHAZZAR come oratorio, o opera religiosa, in seguito fu messo in scena molte volte come opera lirica. L'apertura non dovrebbe essere né troppo lenta né...

Risalente a prima della Guerra Civile, Every Time I Feel the Spirit è uno degli spiritual più amati. Come molti spiritual, anche questo è sia un canto che una preghiera. Questo arrangiamento inizia co...