Southern Music Company

This setting of an Appalachian folk song has been adapted by Burt Szabo. Texas University Interscholastic League Sightreading for 5A and 4A Varsity Tenor-Bass (TBB) Choirs

2004 Texas University Interscholastic League Sightreading for 3A, 2A, and 1A Varsity Tenor-Bass (TTB) Choirs and 5A and 4A non varsity Tenor-Bass (TBB) Choirs. Text by Thomas Morley.

2004 Texas University Interscholastic League Sightreading for 3A, 2A Non-Varsity Tenor-Bass (TTB) and 3B, 2B, 3C and 2C Varsity Tenor-Bass (TTB) Choirs. Text by Christina Rosetti. Versions for TB and...

Texas University Interscholastic League Sightreading for 3A and 2A Non-Varsity Tenor-Bass (TB) and 3B, 2B, 3C and 2C Varsity Tenor-Bass (TB) Choirs. Text a setting of a poem by Christina Rosetti. Vers...

2004 Texas University Interscholastic League Sightreading for 1B and 1C Varsity Tenor-Bass (TB) Choirs and 3B, 2B, 1B 3C, 2C, and 1C Non-varsity Tenor-Bass (TB) Choirs.

Choral Music

Choral Music

2007 Texas University Interscholatic League Sightreading for 1B and 1C Varsity Tenor-Bass (TTB) Choirs and 3B, 2B, 1B, 3C, 2C, and 1C Non-Varsity Tenor-Bass (TTB) Choirs. Text by Lord Byron.

As the title suggests, this up-tempo number is a swingin' jazz-style show stopper for percussion octet. Instruments list: bells, xylophone, marimba, vibes, chimes, kameso, timpani, tom-toms, bongos, a...

As the title suggests, this up-tempo number is a swingin' jazz-style show stopper for percussion octet. Instruments list: bells, xylophone, marimba, vibes, chimes, kameso, timpani, tom-toms, bongos, a...

Antonio Carlos Jobim (1927-1994) è stato un compositore, autore di canzoni e cantante che ha unito la samba brasiliana e il jazz per creare lo stile bossa nova, che ha raggiunto una popolarità mondial...

This piece for saxophone quartet (AATB) opens with the ballad, moves to the waltz section, and closes with a return to the ballad theme. The harmonic language for both sections is rooted in common jaz...

This jazz variations on the famous spiritual includes both improvisational sections and cadenzas.

Anche se nel 1744 Handel presentò l'oratorio BELSHAZZAR come oratorio, o opera religiosa, in seguito fu messo in scena molte volte come opera lirica. L'apertura non dovrebbe essere né troppo lenta né...