Schott Musik

Stimmensatz chorisch - 5 Violinen I, 5 Violinen II, 3 Violoncelli, 2 Kontrabässe - 2 Violinen, Violoncello und Kontrabass (solistisch oder chorisch)

Stimmensatz solistisch - 2 Violinen, Violoncello und Kontrabass (solistisch oder chorisch)

Stimmensatz solistisch - 2 Violinen, Violoncello und Kontrabass (solistisch oder chorisch)

2 Violinen, Violoncello und Kontrabass (solistisch oder chorisch)

2 Violinen, Violoncello und Kontrabass (solistisch oder chorisch)

A brilliant, early classical work that can also be performed by a string quartet. Carl Stamitz indicated exactly in his Quartetto Concertante which sections of the individual parts have to be scored f...

A brilliant, early classical work that can also be performed by a string quartet. Carl Stamitz indicated exactly in his Quartetto Concertante which sections of the individual parts have to be scored f...

A brilliant, early classical work that can also be performed by a string quartet. Carl Stamitz indicated exactly in his Quartetto Concertante which sections of the individual parts have to be scored f...

A brilliant, early classical work that can also be performed by a string quartet. Carl Stamitz indicated exactly in his Quartetto Concertante which sections of the individual parts have to be scored f...

A brilliant, early classical work that can also be performed by a string quartet. Carl Stamitz indicated exactly in his Quartetto Concertante which sections of the individual parts have to be scored f...

Telemann's work in Sorau as music director in the court of Count Erdmann von Promnitz and the trips involved as far as Cracow put him in touch with Polish folk music. One example of his artistic exami...

The three-movement overture is a succinct work full of contrasts. The 3rd movement Paesana imitates the popular violin-playing of Scotland that Barsanti got to know there (from the age of 24, he lived...

Not well-known are the numerous small pieces composed by Beethoven almost 'on the side' for musical use in everyday life.The 'Ländlerische Tänze' are intended to be -orchestral representing welcome pl...

Not well-known are the numerous small pieces composed by Beethoven almost 'on the side' for musical use in everyday life.The 'Ländlerische Tänze' are intended to be -orchestral representing welcome pl...

Not well-known are the numerous small pieces composed by Beethoven almost 'on the side' for musical use in everyday life.The 'Ländlerische Tänze' are intended to be -orchestral representing welcome pl...

Not well-known are the numerous small pieces composed by Beethoven almost 'on the side' for musical use in everyday life.The 'Ländlerische Tänze' are intended to be -orchestral representing welcome pl...

Die vierstimmigen Concerti des bedeutenden neapolitanischen Meisters Durante können von Streichorchestern mit oder ohne Generalbass aufgeführt werden, die Concerti f-Moll und e-Moll auch mit Streichqu...

Die vierstimmigen Concerti des bedeutenden neapolitanischen Meisters Durante können von Streichorchestern mit oder ohne Generalbass aufgeführt werden, die Concerti f-Moll und e-Moll auch mit Streichqu...

Die vierstimmigen Concerti des bedeutenden neapolitanischen Meisters Durante können von Streichorchestern mit oder ohne Generalbass aufgeführt werden, die Concerti f-Moll und e-Moll auch mit Streichqu...

Die vierstimmigen Concerti des bedeutenden neapolitanischen Meisters Durante können von Streichorchestern mit oder ohne Generalbass aufgeführt werden, die Concerti f-Moll und e-Moll auch mit Streichqu...

Die vierstimmigen Concerti des bedeutenden neapolitanischen Meisters Durante können von Streichorchestern mit oder ohne Generalbass aufgeführt werden, die Concerti f-Moll und e-Moll auch mit Streichqu...

The four-part concertos of the important Neapolitan master Durante can be performed by string orchestras with or without basso continuo, the concertos in F minor and E minor even with string quartet.

The four-part concertos of the important Neapolitan master Durante can be performed by string orchestras with or without basso continuo, the concertos in F minor and E minor even with string quartet.

The imitatively set ricercari of Palestrina's contemporary can be played soloistically or chorically by 'fiddling or blowing instruments'. A valuable collection of authentic Renaissance music.