Schott Musik

Chor in der Schule herausgegeben von Carsten Gerlitz und Stefan Kalmer. Diese neue Reihe, die in Kooperation mit dem Ernst Klett-Verlag [mit Schott Music] erscheint, stellt die Arbeit mit Schulchören...

The Loop Songs by Bertrand Gröger (Jazzchor Freiburg) are modern choir exercises for all SATB groups. Originally conceived as warm-ups or to loosen up repertoire rehearsals, many songs are also suitab...

The Loop Songs by Bertrand Gröger (Jazzchor Freiburg) are modern choir exercises for all SATB groups. Originally conceived as warm-ups or to loosen up repertoire rehearsals, many songs are also suitab...

Vom (Deutsch)Rock- und Popklassiker über Swingtitel und Schlager bis hin zum aktuellen Chart-Hit bildet dieses Pop-Chorbuch mit 22 praxiserprobten Arrangements so ziemlich jede Stilrichtung ab. Ausgeh...

> Advents- und Weihnachtslieder im Pop-Gewand > Überraschend neu, aber doch vertraut > Für Popchöre und moderne Kirchenchöre In 'Popgroove zur stillen Nacht' übersetzt Clemens Schäfer, Chorleiter und...

Dein Song möchte Kinder und Jugendliche darin ermuntern und bestärken, sich aktiv mit Musik zu beschäftigen. Der Wettbewerb bei KiKA bietet Nachwuchssongwritern Raum für Entfaltung ihrer eigenen musik...

Es gibt heute eine Reihe von Ratgebern und Trainingsprogrammen für jedes Hobby, für fast jede erlernbare Fähigkeit und für jeden Berufszweig - nur für jene nicht, die Freude am Gesang empfinden und ih...

Friedrich Zehm, pupil of Harald Genzmer, combines stylistic elements from classicism and pop in his three-movement rhythmophony.

Friedrich Zehm, pupil of Harald Genzmer, combines stylistic elements from classicism and pop in his three-movement rhythmophony.

Friedrich Zehm, pupil of Harald Genzmer, combines stylistic elements from classicism and pop in his three-movement rhythmophony.

Friedrich Zehm, pupil of Harald Genzmer, combines stylistic elements from classicism and pop in his three-movement rhythmophony.

Friedrich Zehm, pupil of Harald Genzmer, combines stylistic elements from classicism and pop in his three-movement rhythmophony.

Friedrich Zehm, pupil of Harald Genzmer, combines stylistic elements from classicism and pop in his three-movement rhythmophony.

Friedrich Zehm, pupil of Harald Genzmer, combines stylistic elements from classicism and pop in his three-movement rhythmophony.

Friedrich Zehm, pupil of Harald Genzmer, combines stylistic elements from classicism and pop in his three-movement rhythmophony.

Friedrich Zehm, pupil of Harald Genzmer, combines stylistic elements from classicism and pop in his three-movement rhythmophony.

Friedrich Zehm, pupil of Harald Genzmer, combines stylistic elements from classicism and pop in his three-movement rhythmophony.

Friedrich Zehm, pupil of Harald Genzmer, combines stylistic elements from classicism and pop in his three-movement rhythmophony.

Friedrich Zehm, pupil of Harald Genzmer, combines stylistic elements from classicism and pop in his three-movement rhythmophony.

Friedrich Zehm, pupil of Harald Genzmer, combines stylistic elements from classicism and pop in his three-movement rhythmophony.

Friedrich Zehm, pupil of Harald Genzmer, combines stylistic elements from classicism and pop in his three-movement rhythmophony.

Friedrich Zehm, pupil of Harald Genzmer, combines stylistic elements from classicism and pop in his three-movement rhythmophony.

Friedrich Zehm, pupil of Harald Genzmer, combines stylistic elements from classicism and pop in his three-movement rhythmophony.