Schott Musik

Déjà vu di Lei Liang è un dialogo ipnotico in un unico movimento tra violino e percussioni. La composizione strumentale è intricata e a tratti esplosiva. L'opera contiene numerosi passaggi improvvisat...

Having been interested in Mahayana Buddhism for a number of years, I went to a Buddhist monastery in upstate New York to study meditation in 1999. One evening, while walking alone by the side of the l...

Alt-stimme mit Flöte, Klarinette und Streichquartett

Klavierauszug mit Solostimmen Gesang und Solo-Violine - Sopran, Violine und Orchester oder Klavier zu 4 Händen

Streicher-Ergänzungssatz - 2 Violinen I/II, Viola, Violoncello, Kontrabass

The Greek word 'amarantos' means 'everlasting' or 'unfading', and the title was suggested by the amaranthine flowers in E.E.Cummings' sonnet 'this is the garden', where the flowers stand 'enraptured'...

Dirigier- und Studienpartitur

Flöte I/II, Oboe I/II, Horn-a I/II, 4 Violinen I/II, 2 Violen, 4 Violoncelli/Kontrabässe

Mozart wrote this symphony in 1768 at the age of 12 dedicating it to the Benedictine monastery of Lambach. The structure of this score follows the rediscovered parts - the autograph has disappeared.

Stimmensatz - Fl I, Fl II, Ob I, Ob II, Hr-g/-d I, Hr-g/-d II, 4 V I, 4 V II, 2 V III (statt Va), 2 Va, 4 Vc/Kb

The important teacher of composition and church composer wrote this effective Neo-classical work as a tribute to the Renaissance composer Ludwig Senfl.

Stimmensatz - Oboe I, Oboe II, Horn-d I, Horn-d II, 4 Violinen I, 4 Violinen II, 2 Violen, 4 Bassi

Streicher-Ergänzungssatz - 2 Violinen I, 2 Violinen II, Viola, 2 Bassi

F.A. Rössler (Antonio Rosetti), a Bohemian by birth, worked as court music director in Ludwigslust/Mecklenburg. He wrote 14 flute concertos altogether the most important of which is the concerto G maj...

F.A. Rössler (Antonio Rosetti), a Bohemian by birth, worked as court music director in Ludwigslust/Mecklenburg. He wrote 14 flute concertos altogether the most important of which is the concerto G maj...

This work rewarding for soloist and orchestra is a revealing contribution to the development of the piano concerto at the end of the 18th century.

This work rewarding for soloist and orchestra is a revealing contribution to the development of the piano concerto at the end of the 18th century.

Streicher-Ergänzungssatz - 2 Violinen I; 2 Violinen II; Viola; 2 Violoncelli/Kontrabässe