Robert Lienau Musikverlag

This collection, based on the original score and published by Antonio Gardane in Venice in 1538, gives us insight into the chanson genre which was at its peak at the beginning of the 16th century. Ink...

Michel Blavet (1700-1768) was a very famous and popular musician in his lifetime. Although he was an autodidact on many instruments, his main instrument was the flute traversière which he played left-...

Michel Blavet (1700-1768) was a very famous and popular musician even in his lifetime. Although he was an autodidact on many instruments, his main instrument was the flute traversière which he played...

Michel Blavet (1700-1768) war bereits zu seiner Zeit ein sehr berühmter und begehrter Musiker. War er auch Autodidakt auf vielen Instrumenten, so bildete doch die Flûte traversière, die er linksseitig...

Michel Blavet (1700-1768) was a very famous and popular musician even in his lifetime. Although he was an autodidact on many instruments, his main instrument was the flute traversière which he played...

Diogenio Bigaglia (approx. 1676-1745) does not only share similar biographical data with Vivaldi (who was two years his junior), but he also came from Venice and was a musician and member of the clerg...

Diogenio Bigaglia (1676-1745 circa) non solo condivide dati biografici simili a quelli di Vivaldi (che era di due anni più giovane), ma era anche originario di Venezia, musicista e membro del clero. E...

Un pezzo serio e pieno di sentimenti profondi! La preferenza per i timbri più scuri della viola gli conferisce un fascino particolare.

Friedrich Metzler (1910-1979) war zurückhaltend und bescheiden, was dazu beitrug, dass seine Werke außerhalb seines künstlerischen Wirkungsraumes Berlin zunächst kaum bekannt waren. Als Komponist setz...

Immerse yourself in the graceful charm of a bygone era: "Musette op. 24", bearing the evocative subtitle "Air du ballet du 17ème siècle", transports both performers and audiences to the melodious eleg...

Immerse yourself in the elegant charm of bygone eras with the enchanting "Musette op. 24" (Air du ballet du 17ème siècle). This characterful work for cello and piano seamlessly blends graceful histori...

This revised edition is based on the original publication by Schlesinger. The pieces are taken from the suite 'Grande Scène espagnole pour violoncelle' accompanied by a string sextet or a string orche...

This revised edition is based on the original publication by Schlesinger. The pieces are taken from the suite 'Grande Scène espagnole pour violoncelle' accompanied by a string sextet or a string orche...

Carl Maria von Weber (1786-1826) schrieb die ursprüngliche Version des Andante e Rondo ungarese im Jahre 1809 für seinen Bruder Fritz, einem Bratschisten. Die Bearbeitung für Fagott erfolgte im Jahr 1...

Carl Maria von Weber (1786-1826) schrieb die ursprüngliche Version des Andante e Rondo ungarese im Jahre 1809 für seinen Bruder Fritz, einem Bratschisten. Die Bearbeitung für Fagott erfolgte im Jahr 1...

Immerse yourself in one of the most brilliant masterpieces of the woodwind repertoire: The Concerto in F major Op. 75 for bassoon and piano unfolds the full tonal and expressive richness of the bassoo...

Immerse yourself in one of the most brilliant masterpieces of the woodwind repertoire: The Concerto in F major Op. 75 for bassoon and piano unfolds the full tonal and expressive richness of the bassoo...

Der österreichische Komponist Robert Fuchs (1847 - 1927) lässt sich stilistisch ansiedeln zwischen der Spätromantik und der tonalen Musik des beginnenden 20. Jahrhunderts. Schon früh erreichte er mit...

Der österreichische Komponist Robert Fuchs (1847 - 1927) lässt sich stilistisch ansiedeln zwischen der Spätromantik und der tonalen Musik des beginnenden 20. Jahrhunderts. Schon früh erreichte er mit...

Der österreichische Komponist Robert Fuchs (1847 - 1927) lässt sich stilistisch ansiedeln zwischen der Spätromantik und der tonalen Musik des beginnenden 20. Jahrhunderts. Schon früh erreichte er mit...