Periferia

It is a surprising fact that this sharp, little clarinet in E-flat is used to evoke the spirits. Bonanno does such a task in a work related to the 'Geister-Trio' by Beethoven, which has ghastly music...

A brilliant score for percussion set. The own performer chooses the instrumentation. The work explores the metre's repetition and modulation.

Juan Gutiérrez de Padilla (c. 1590-1664) was a Spanish-born Mexican composer of the Renaissance period. Although born in Málaga, Spain, he moved to Puebla, Mexico in 1620, and was later appointed maes...

Juan Gutiérrez de Padilla (c. 1590-1664) was a Spanish-born Mexican composer of the Renaissance period. Although born in Málaga, Spain, he moved to Puebla, Mexico in 1620, and was later appointed maes...

Juan Gutiérrez de Padilla (c. 1590-1664) was a Spanish-born Mexican composer of the Renaissance period. Although born in Málaga, Spain, he moved to Puebla, Mexico in 1620, and was later appointed maes...

Giovanni Gabrieli - Canzon Septimi et Octave Toni a 12 da "Sacrae Symphoniae", Libro 1, per coro di clarinetti, arrangiato da Andrew Seigel. Giovanni Gabrieli è stato un compositore e organista italia...

The work is written for a four-part female choir, and it has a disturbing beginning which is transformed into a rhythmic structure, where the harmony is stretched and the harmonies stop having a tonal...

This piece is inspired by a personal interpretation of the relationship with our divine origin. This work is characterized by the use of modal scales, secundal harmony, hemiolas, and 5/8 and 7/8 time...

Hear Us is an introspective piece that uses poem XXIII from John Donne's Litany. One of the most beloved English poets of the late 16th and early 17th centuries, Donne's poem is both repentant and tho...

At the Round Earth's Imagined Corners: An Anthem for All Saints is a brisk piece for a cappella choir that sets John Donne's Holy Sonnet Number Seven for unaccompanied choir as an anthem for All Saint...