Oxford University Press

An easy anthem with words and music by John Rutter. There are three different versions of the vocal parts - unison (or two-part) with keyboard, upper voices with keyboard, or SATB unaccompanied or wit...

For youth choir with parts for SSA, highs, middles, and lows (for boys' changing voices). This is a magical setting of a profound and impressionistic text by the contemporary poet A. D. Hope, which de...

Junior Voiceworks is a wonderful collection of songs for children. Presenting 33 singable songs, from simple unison to 2 and 3 parts, this is a fabulous and accessible resource to motivate and energiz...

1 oder 2 gleiche Stimmen (Frauen oder Männer) und Klavier (Orgel) A happy, fluent piece in popular vein. Duration: 3 minutes Difficulty: Very easy

Make young voices shine with "Anthems For Choirs Vol. 2" from the renowned publisher Oxford University Press! This first-class sheet music edition brings together 24 beautiful anthems, specially curat...

Rounds and canons drawn from the folk and classical repertoire provide an introduction to two-part singing.

This is a setting of a text by Guyanese-British poet John Agard, which describes how eighteenth-century slave-trader John Newton became an abolitionist. Featured on Orphei Drangar's CD, De Profundis:...

For TTBB and piano or organ or small orchestra Originally published in versions for SA and SATB voices, this classic Rutter anthem has now been adapted by the composer for performance by male-voice ch...

Like the original version for SATB voices, this new male-voice arrangement of Wide Open Spaces reflects on the journeys and adventures to be found in the wide opens spaces within ourselves and in the...

For TTBB and piano. This is a poignant setting of the well-known Christian prayer for peace formerly ascribed to St Francis of Assisi. John Rutter perfectly captures the sense of compassion and contra...

Originally published in versions for SA and SATB voices, this classic Rutter anthem has now been adapted by the composer for performance by male-voice choirs. The flowing choral melodies and the gentl...

Slow Down has a relaxed swing feel, with imaginative lyrics by the composer that encourage us to take time out of our busy lives. The baritones have fun with a scat bassline while the upper parts enjo...

Originally published in the upper-voice collection As you sing and now re-arranged for TBarB voices, this is a thrilling piece setting a text by Jennifer Thorp. Young uses body-percussion, repeating t...

Originally published in the upper-voice collection As you sing and now re-arranged for TBarB voices, this is a thrilling piece setting a text by Jennifer Thorp. Young uses body-percussion, repeating t...

Slow Down has a relaxed swing feel, with imaginative lyrics by the composer that encourage us to take time out of our busy lives. The vocal lines explore a swung quaver style, along with scat syllable...

Slow Down has a relaxed swing feel, with imaginative lyrics by the composer that encourage us to take time out of our busy lives. The vocal lines explore a swung quaver style, along with scat syllable...

This work reflects on the journeys to be found in the wide open spaces within ourselves and the world around us. An uplifting melody opens out into an expansive texture with rich harmonies, followed b...

For TTBB and piano.

Weaving solo lines and expressive harmonies combine to create a delicate and very lovely setting.

A boisterous and energetic piece that portrays the Magi's great joy at seeing the star in the East. Orchestral material is available on hire.

A festal setting of this familiar tune, imposing and exciting but not difficult, with a few thrillingly unexpected harmonies and modulations. Score and parts for brass and percussion are available on...

Experience the gripping choral piece "The Morning Trumpet", published by Oxford University Press for unaccompanied male choir (TTBB). This thrilling a cappella work features crisp accented rhythms and...

An arrangement for SATB is also available.

Now fie on love is a rollicking glee with all the usual imitative points and a somewhat unusual allotment of brawny sarcasm. It makes an effective encore.

I remember sets a text reflecting on the wonder of the natural world and the people who shape our lives. The stirring melody calls to mind the folksong tradition, and is underpinned by a gently flowin...