Oxford University Press

This original composition combines several traditional proverbs , a quirky melody, a laid-back swing feel, a whispering section, and an immediate melodic 'hook'. The music is well-suited to the text a...

This is an imaginative and modern-sounding setting of John Masefield's popular poem (2017 marks the 50th anniversary of Masefield's death). This expressive piece ebbs and flows, and provides imitative...

This setting of the well-known hymn text 'Christ the Lord is risen again!' features bright vocal lines and an energetic accompaniment. The scoring is flexible, allowing performance with either one or...

Ian Crawford's arrangement of Schubert's famous and brilliantly dramatic Erlkönig enables choirs to explore dramaturgy and storytelling while learning a staple of Schubert's rich output for voices. Th...

Scored for cambiata male voices and piano, Somos cambiata combines syncopated Latin rhythmic patterns with a catchy melody alongside a humorous dual-language text in Spanish and English. This new arra...

Slow Down has a relaxed swing feel, with imaginative lyrics by the composer that encourage us to take time out of our busy lives. The baritones have fun with a scat bassline while the upper parts enjo...

This entertaining three-part arrangement of the popular sea shanty was written for Cambiata North West. The humorous lyrics are complemented by a jovial piano accompaniment and the piece includes seve...

Salisbury Vespers combines settings of the traditional Vespers psalms and anonymous early texts. Marian motets punctuate the psalm settings, and the work is concluded with a substantial setting of the...

This is a magical setting of a profound and impressionistic text by the contemporary poet A. D. Hope, which describes the burgeoning of the soul as though the heart itself is 'singing' from within the...

These charming settings of riddles by Bob Chilcott's long-term collaborator Charles Bennett were originally published as part of the environmental cantata The Angry Planet. Here rescored for two-part...

Questa splendida ambientazione di un testo di Ralph Waldo Emerson celebra la presenza universale del canto, che può essere trovato in luoghi di bellezza ma anche di oscurità. Con melodie memorabili e...

Taken from the cantata Dona Nobis Pacem, this short movement is scored for SATB choir with a piano reduction of the orchestral parts. Material for the full orchestral version and an accompaniment for...

Questo lavoro laico per voci superiori mette in scena con sensibilità l'omonimo poema di Langston Hughes. Caratterizzato da una linea melodica leggera, da un'eloquente scrittura delle parti e da un'ef...

Commissioned by the New Orlean's Children's Chorus for the 2005 Crescent City Festival, this work is to be performed 'cool but with a swing'.

Four songs exploring a variety of 'green' issues for SS and piano. The songs are fun, funky, and totally up-to-date, with jazzy rhythms and some rap-style verses to really get young choirs and their a...

With a text by the composer, this work was inspired by members of the Radcliffe Ladies' Choir and their motto 'friendship through singing'. The lilting vocal lines are subtly underpinned by a delicate...

This atmospheric and powerful Advent anthem is composed for SATB choir and organ, with a separate Soprano semi-chorus, and is ideal for institutions with two upper-voice choirs, one of which can (opti...

This atmospheric setting of familiar words from Shakespeare's As You Like It is sprightly and uplifting, with singers being asked by the composer to perform with 'a bit of frost and a knowing smile'....

This piece, originally for SA choir, has been reworked for a SATB choir, and would suit a funeral or commemoration setting. It begins softly and in unison, until a sudden key change where the mood shi...

Arranged here for unison voices and piano, this uplifting and affirmatory piece sets a text by the composer inspired by the reflections of the Northwest Girlchoir on what their choir means to them. A...

Utilizing the standard 3 movement sonata outline, Jackson employs a variety of textures to great effect in this piece. In the first movement alone, the music employs homophonic, unison, canonic and mo...