Oxford University Press

The title piece from a collection for upper voices, 'Hark, hark, the lark' is a setting by Alan Bullard of words from Shakespeare's Cymbeline. Scored for upper voices and piano, this serenely pastoral...

Originally published in Five Song for Upper Voices, this piece sets text by the ancient Chinese philospher Lau-Tzu, and explores the the idea that 'all things pass' in this ever-changing world. A cont...

With a text by Coventry Patmore, this short song in simple two part explores the timelessness of truth with a touch of melancholy. Originally published in Five Song for Upper Voices.

From the collection Hark, hark, the lark, 'Come unto these yellow sands' is a setting by Bob Chilcott of words from Shakespeare's The Tempest. This lively piece is scored for upper voices with piano,...

From the collection Hark, hark, the lark, 'Our revels now are ended' is a setting by Bob Chilcott of the famous monologue from Shakespeare's The Tempest. Scored for upper voices with piano, this rhyth...

From the collection For Him all Stars, 'Tomorrow shall be my dancing day' is an arrangement by Malcolm Pearce of the familiar carol. Scored for SA and organ, this accessible version features a support...

Scored for SSA voices and piano, Susa ninna begins and ends as a soothing lullaby, while the second verse reaches an exciting climax expressing the celebration of Christ's birth. English words are pre...

This carol belongs to the genre of folk variations on Lutheran hymns: the original hymn, with a text mostly by Luther, is Gelobet seist du, Jesu Christ. After being translated into Estonian, the text...

Libby Larsen's setting of this traditional Appalachian lullaby is simple and gentle, with the option for solo singing. Originally published in World Carols for Choirs.

Four-piece chamber ensemble accompaniment to Rutter's arrangement in 2/2 time. Pack includes full score and set of parts. Compatible with the mixed voices leaflet, as well as the versions in in 100 Ca...

Four-piece chamber ensemble accompaniment to Rutter's vibrant carol. Pack includes full score and set of parts.

This is a gentle and highly attractive setting of the medieval Latin hymn, suitable for church choirs at any communion service or for Lent, Passiontide, or Corpus Christi. With a delicate expressive m...

A brilliant choral celebration of seven American legends (Phillis Wheatley, George Washington, Jenny Lind, Harriet Beecher Stowe, Clyde William Thornbaugh, Charles Lindbergh, Louis Armstrong). Energet...

A suite of eleven folk-song settings. 6 of the songs are for SATB, 3 for unison upper voices, and 2 for men's voices. The folk-songs may be performed individually, in groups, or as a complete suite.

Four-piece chamber ensemble accompaniment to Rutter's carol arrangement. Pack includes full score and set of parts. Compatible with the accompanied version, available as a leaflet or in the carol coll...

I remember sets a text reflecting on the wonder of the natural world and the people who shape our lives. The stirring melody calls to mind the folksong tradition, and is underpinned by a gently flowin...

Two settings for SS and piano or orchestra. Both are rhythmically exuberant settings of colourful medieval texts, sparkling with vitality and humour. Orchestral material is available on hire separatel...

A cantata for SS and piano, setting eight witty poems about the scientific elements by Roger McGough. The songs are easy, fast-paced, and accessible, in a colourful variety of musical styles that rang...

Brooke's arrangement of this traditional sea shanty is invigorating and atmospheric. Changing voices will enjoy the theme of trains and ships in the text, as well as the boisterous call-and-response t...

This energetic and highly rhythmic arrangement of a 15th- century carol uses a folksy call-and-response style, which helps the piece maintain its momentum right through to its thrilling fortissimo con...

Heart of Earth sets excerpts of poetry by Laura Purdie Salas that are rich in vivid descriptions of the natural world. The simple melodic lines are embellished with cross-rhythms, vocal scoops, and ha...

John Rutter's much-loved setting of the Aaronic Blessing (Numbers 6: 24) is here presented in Japanese translation. It was composed for a memorial service for Edward T. Chapman, the Director of Music...

Rutter's charming piece sets a Japanese translation of the composer's own text that emphasises the significance of music and harmony in an ephemeral world. Alternating unison and polyphonic verses acc...