Oxford University Press

This radiant anthem was commissioned for the celebrations for Her Majesty's Diamond Jubilee. Todd employs arching melodies and beautifully simple harmonies, underpinned by a gentle organ accompaniment...

In this energetic piece Chilcott sets both the original unpublished and familiar published version of 'The Mouse's Tale' from Lewis Carroll's Alice's Adventures in Wonderland. With jazz influences, an...

This arrangement of the hymn tune Royal Oak is not to be confused with Rutter's original composition of the same title, which sets the same text by C.F. Alexander. The elegant text praising God's crea...

This gentle arrangement of the well-known Gaelic folk tune Morning Has Broken, also known as the hymn tune Bunessan, is part of a collection of six hymn arrangements for choir with harp or piano. A ha...

Originally published in the collection Alan Bullard Anthems, this optimistic setting of Jan Struther's famous text is perfectly suited to performance at a variety of occasions, including at weddings,...

This is a fresh and optimistic version of a nineteenth-century hymn set in a rock-gospel style. The results are uplifting.

Bednall's beautiful setting of this much-loved prayer is warm, simple, and immediate. The vocal line is expertly lyrical and the accompaniment suitably supporting, with a serene line for solo violin t...

A charming and straightforward setting of a poetic text by Sabine Baring-Gould, this delightful carol is characterized by a simple and effective melody. The voices are in unison for much of the piece,...

This simple, beautiful setting of the ancient prayer has a carefully judged range with young voices in mind.

Accompanied by hand-drum and piano, this piece is an exciting and engaging sing filled with teachable moments and opportunities for musical growth. . Also available in a version for CBar, piano, and p...

Wayfarin' Stranger is a two-part upper voice version of the SAB setting of the popular American folksong that is featured in SongStream 2: An American Journey. A blues flavour in the accompaniment and...

This attractive setting of a text by Christina Rossetti combines a shapely melody with a gentle, rippling piano accompaniment. Ideal for Easter concerts and services.

This is a gentle, blues setting of 'A Cradle Song' from William Blake's Songs of Innocence and Experience. Rich harmonies, blues chords, and syncopation combine with the classic Chilcott sound to crea...

This publication makes available some of the most renowned and beautiful chants of the Gregorian repertory. All eleven chants have modern notation, with editorial performance suggestions.

A short, simple, but joyful piece that never raises its voice above piano.

This setting is faithful to the original folksong melody 'She's like the Swallow'. The straightforward piano part sets the mood, cleverly supports the voices, and helps illustrate the story of the tex...

This is a highly effective setting in four linked movements of poems by Federico Garcia Lorca. The music suggests the sounds, colours, and atmosphere of the Andalusian landscape. Perfectly encapsulati...

This setting of a Catalonian carol is cheerful, tender, and reverent. The interplay of two treble voices with each other and with the transparent orchestration provides many delightful moments. Orches...

The choral writing in this traditional hymn arrangement is straightforward but hugely effective.

From the upper-voice collection Times and Seasons, 'Night/Winter' is a piece in two sections, the first unaccompanied and the second with piano. The voices sing in unison or two parts, and texts are b...

From the upper-voice collection Times and Seasons, 'Evening/Autumn' is a piece in two sections, the first unaccompanied and the second with piano. The voices sing in unison or two parts, and texts are...

From the upper-voice collection Times and Seasons, 'Midday/Summer' is a piece in two sections, the first unaccompanied and the second with piano. The voices sing in unison or two parts, and texts are...

From the upper-voice collection Times and Seasons, Morning/Spring' is a piece in two sections, the first unaccompanied and the second with piano. The voices sing in unison or two parts, and texts are...