Oxford University Press

The Latin text from the Ordinary of the Mass for mixed voices, brass (4 trumpets, 2 tenor trombones, bass trombone, tuba), percussion, and organ. An accompaniment for orchestra without organ is also a...

This arrangement meets the demand for timeless popular songs, designed to appeal to teachers and students alike. For three-part choir, it contains that memorable tune, Joel's clever lyrics, riffs asso...

Setting words by the composer, Swept Away is a beautiful, haunting piece with pop-inspired rhythms and harmonies. The scat syllables of the lower parts are combined with a flowing melody in the sopran...

Setting words by the composer, Swept Away is a beautiful, haunting piece with pop-inspired rhythms and harmonies. The scat syllables of the lower parts are combined with a flowing melody in the sopran...

Setting a text by Elizabeth Barratt Browning, this thoughtful and evocative piece compares a dying relationship with the changing of the seasons from summer to winter, which McGlade skilfully reflects...

The composer writes: 'The piano repertoire abounds with pieces that dazzle the listener with displays of virtuosity. I decided to compose music which allowed the sound of just one note at a time to be...

This much-loved carol is available here in German translation. Orchestral accompaniments are available on sale and on hire/rental.

The 100th Psalm is in modified ternary form and captures the joy and excitement of the familiar psalm. The organ part features a fanfare-like motif that effectively complements the text, and the chora...

For unaccompanied SATB

A beautiful, melodic new slant on the well-loved traditional carol.

The Latin text from the Ordinary of the Mass for mixed voices, brass (4 trumpets, 2 tenor trombones, bass trombone, tuba), percussion, and organ. An accompaniment for symphony orchestra without organ...

Composed for performance at degree ceremonies at the University of Portsmouth, this work captures the joy and excitement of such occasions, partly through the incorporation of a quote from Thomas Rave...

Composed for performance at degree ceremonies at the University of Portsmouth, this work captures the joy and excitement of such occasions, partly through the incorporation of a quote from Thomas Rave...

This three movememt work is characterized by majestic moods. A pixified romp marks the first movement, followed by a solemn second, before concluding with a hungry, snarling restless end movement.

Skempton's simple and reflective setting of John Clare's poem was commissioned by the Aldeburgh Festival and composed for The Abbey Chapel Choir, Woodbridge. With its fluid changes of time signature a...

Questa vivace rivisitazione dell'inno tradizionale è un emozionante arrangiamento a cappella che abbina l'impetuosa melodia legata a un ritmico accompagnamento vocale. Insieme, questi elementi cattura...

I will be with you sets a reflective text by the composer with a message of enduring solace. Lush harmonies, with predominantly homophonic passagework, coupled with flowing and cascading lines in ever...

This three-movement work combines a number of themes through the poetry of Sara Teasdale. The first movement, 'Sister of the Sky', focuses on the morning in early spring. The central movement, 'Fearle...

For SSA (with divisions) unaccompanied - This piece was composed in honour of the centenary of Marconi's first trans-oceanic wireless signal. The theme of the work, sound waves, is evoked through over...

Setting a Native American text, The Song of the Stars is a bright and rhythmic piece scored for double upper-voice choir. Featuring rhythmic ostinatos, imitative effects, and rich harmonies, this is a...

Originally written for SATB, this hymn to the 'Queen of the Heavens' is a glorious work, replete with dramatic changes of mood and texture. The majestic chords of the opening bars quickly give way to...

Morning Light sets an optimistic text by the composer about home and finding your way. Inspired by American folksongs, the captivating melody and warm harmonies perfectly complement the uplifting them...

Off-printed from the complete William Walton Edition, this is one of three versions (the others are for SATB unaccompanied) on a text by Phineas Fletcher - 'Drop, drop slow tears'. The poignant chroma...

For SSAA unaccompanied. This piece was originally published in a version for mixed voices. With lush harmonies, moments of dynamic intensity, and an overriding sense of awe, it would make an ideal cen...