Oxford University Press

SATB, congregation, organ, and brass quartet

Night Flight was written to mark the centenary of Harriet Quimby's pioneering flight across the English channel. Setting texts by Sheila Bryer on the mysterious powers of the sea, earth, and air, McDo...

Gemischter Chor (SSAATB) und Orgel (optional).

Settings of four Shakespeare sonnets that offer great contrasts in tone and mood. Each poem centres on the object of the poet's love in a different aspect: as the beloved one, the desired one, the one...

Flute and harp parts for Bob Chilcott's easy and original setting of the well-known Rossetti text.

For SATB and percussion instruments (4 sand blocks (optional), 2 rainsticks, 2 claves, 1 shaker, and a low-pitched tomtom played with hard sticks) OR SATB and low-pitched tomtom played with hard stick...

'Where Riches is Everlastingly' is one of the carols in the volume Bob Chilcott Carols. The instruments needed are congas (or bongos), shaker (or triangle), cowbell (or claves).

This essential text covers social, physiological, musical, and pedagogical aspects of young adolescent singing, with the focus on Key Stage 3 (ages 11-14) and the progression from primary school. It u...

SATB, brass quartet, timpani, and organ

For SATB with divisions. The Church Music Society affirms the importance of music in worship and of the effective use of music appropriate to its proper liturgical use. It strives always to sustain th...

Strings in Step is an invaluable resource for both group and individual tuition. Violin, viola, and cello pupils can enjoy learning together as the exercises and pieces are compatible for all three in...

Strings in Step is an invaluable resource for both group and individual tuition. Violin, viola, and cello pupils can enjoy learning together as the exercises and pieces are compatible for all three in...

For clarinet in A and cello. The first movement is fairly slow and mostly cantabile. A feature is the persistent interruption of the flow by a curious sotto voce semitonal passage between the two inst...

The first movement is fairly slow and mostly cantabile. A feature is the persistent interruption of the flow by a curious sotto voce semitonal passage between the two instruments, played as if in brac...