Oxford University Press

Suitable for concert use, this simple, delightful setting of a Yeats poem embraces nature's beauty and the secret joy of solitude. Soaring melodies, rich harmonic language, and a piano part that is bo...

This sequence of six carols explores the role of Mary in the Christmas story, focussing on her human experience within a story of the divine. The work has two accompaniment options: piano (using the v...

This atmospheric piece sets a text by Christina Rossetti. The first stanza is for sopranos only, with expressive chromatic lines evoking the 'darkness' and 'chillness' of the text. The music flowers i...

Archer's setting of this popular Easter hymn by G. R. Woodward is sparkling with energy, combining the exuberant seventeenth-century Dutch melody with short organ interjections. An exciting addition t...

This is one of the best-loved and most widely performed choral works of the twentieth century. The texts (in Latin and English) are from the Missa pro Defunctis, the Book of Common Prayer, and the Psa...

Sentinels is really a long, unrelenting march whose pulse never slackens or quickens, and in which slightly quirky military-style gestures are almost always present. Butler imagined four standing play...

This upbeat work sets a text by the Malaysian singer Bihzhu celebrating the collective excitement in exploring the unknown. The supportive piano accompaniment brings a hint of the Malaysian soundworld...

This is an energetic song in which drying clothes whirl and madly dance in the tugging winter wind. It is No. 1 of a suite of three songs, 'At the Turn of the Year', depicting scenes of winter.

Everyday Wonders: The Girl from Aleppo tells the extraordinary story of Nujeen Mustafa, a Kurdish teenager with cerebral palsy forced by war to flee her home and embark on an arduous journey to Europe...

I am the song is an imaginatively-conceived showpiece setting a fine and thought-provoking poem by Charles Causley.

This tiny, delicate piece has something of the Debussyian prelude about it. It deftly deals with that familiar theme of snow, not rising above a piano dynamic throughout.

Offprinted from Pianoworks: Popular Styles.

Two stanzas of emotive verse by Christina Rossetti are set to music of touching directness in this a cappella offering, whose graceful melodies are often adorned by caressing rhythmic patterns. Offpri...

Four-piece chamber ensemble accompaniment to Rutter's lively harvest anthem. Pack includes full score and set of parts. Compatible with both the English-only and dual-language vocal score.

Ever-changing in mood and pace, La Musique is a setting of poems by Elizabeth Bishop and Charles Baudelaire on the transformative power of music. Jackson musically represents the complex psychological...

John Taverner's Respond 'Dum transisset Sabbatum' (I) is now established as one of the finest examples of English polyphony composed in the last days of the Sarum Rite.

O praise the Lord is a celebratory anthem with a dazzling organ part. Homophonic exclamations resound the communal praise of Psalm 117, and the anthem's short, quieter middle section has a gospel feel...

This song skillfully blends a classic poem, Christina Rossetti's Uphill, with a relaxed, lightly jazzy style. Expanding from three- to six-part harmony, the chordal texture allows for strong annunciat...

From the first sporadic drops to showers, monsoons and drenching sheets, the instruments in this piece (the piano prepared with blu-tack) work closely together to effectively capture the mood.

In this classic Rutter anthem the flowing choral melodies perfectly complement the positive message of the well-known thanksgiving text by F. S. Pierpoint. Presented here in German translation.

In this edition, Simon Preston has made a few adjustments to the large-scale vocal writing of Walton's original version to make the work suitable for liturgical performance by a cathedral or ambitious...