Oxford University Press

Ian Crawford breathes new life into this traditional American tune by employing a bluegrass-inspired style, jaunty syncopations, and an upbeat tempo. The light but supportive piano accompaniment uses...

This edition of Rutter's popular setting of the well-known text by Robert Herrick is available here in German translation. The orchestral accompaniment is available on sale and on hire/rental.

Ravel's popular Pavane pour une infante défunte is here arranged for SATB and organ, allowing choirs to perform this beautiful staple of the orchestral repertoire for the first time. Gough's arrangeme...

In Second Still Life the play on the word second is very apt. Not only is it scored for just two instruments (although there is also an optional tam-tam part) but the interval of a second is explored...

O Gracious Light is a tender and reflective work setting an English translation of a Greek third-century text. With rich, four-part harmonies and flowing melodic lines, this intimate work will be enjo...

The three-movement Music of the Stars offers an enlightening commentary on music's power to console and uplift in challenging times. Characterful string writing accompanies engaging vocal lines, with...

The text is that of a standard Latin Missa brevis, to which several relevant English poetic texts have been added. The first and last of these are taken from Bishop Thomas Ken's renowned morning and e...

Not no faceless Angel is a beautifully reflective work. The themes of loss and love are articulated through expressive melodic lines and touching imagery.

This short, evocative piece is built of block chords, simple diatonic melodies, and pedal notes in the left hand. It is recorded by Thalia Myers on USK 1221CD.

Setting a text by Timothy Dudley-Smith, this is a charming lullaby with a gentle, lilting melody and warm harmonies. Ideal for Christmas services and concerts.

This setting of a song from Act II of Shakespeare's As You Like It was originally published as part of Rutter's cycle When Icicles Hang. Here, it has been specially adapted for TTBB choir by the compo...

Opening with a simplicity and innocence created by the unison theme, this anthem's textures gradually evolve as the other voices make their entries. This German translation of ust as I am is offprinte...

Bright, electric, and charged with energy, this setting of one of the seven Advent 'O' Antiphons features Jackson's characteristic flourishes of melodic ornamentation, tempered by moments of calm from...

This profoundly beautiful setting by John Rutter of one of the earliest English prayers, from the Sarum Primer of 1514, has been specially adapted by the composer for tenors and basses.

This arrangement of a traditional Welsh melody is an offprint from Benedict Sheehan's musical dramatization of A Christmas Carol.

Prologue is the first movement from Sarah Quartel's Snow Angel, an evocative five-movement choral work which is a firm favourite with choirs across the world. The musical language is emotive and picto...

Ian Crawford breathes new life into this traditional American tune by employing a bluegrass-inspired style, jaunty syncopations, and an upbeat tempo. This flexible arrangement is accommodating and idi...

Two exquisite miniatures which demonstrate the composer's distinctive ability to express the essence of a text in a beautifully understated fashion. He conveys a sense of pastoral timelessness while r...

O Guiding Night is a colourful and evocative setting of the text 'The Dark Night' by 16th-century Spanish mystic/poet St John of the Cross. Williams's setting really gets to the heart of the words, co...

Commissioned by the Nidaros Cathedral Girls' Choir, this jazzy setting of the Missa Brevis will be welcomed by all upper-voice choirs who enjoyed A Little Jazz Mass.

Alan Bullard's first Magnificat and Nunc Dimittis, written for the choir of Selwyn College, Cambridge, can be performed a cappella or with organ. Both movements feature pleasing tonal contrasts and ha...