Oxford University Press

Vaughan Williams's romance for solo violin and orchestra is given new life in this beautiful arrangement. Perfect as a rehearsal tool in preparation for a larger-scale orchestral concert, the arrangem...

Vaughan Williams's romance for solo violin and orchestra is given new life in this beautiful arrangement. Perfect as a rehearsal tool in preparation for a larger-scale orchestral concert, the arrangem...

This is a version for string quartet of Erkoreka's saxophone quartet, Duduk II. It is the last of the four Duduk pieces which are based on the traditional modes/scales of Armenia.

The work is in one unbroken span that is formed from four linked movements.

Written for the Smith Quartet, the title refers to some of the many different meanings of the word 'catch' - fishing, tricks, rounds. The result is a twelve-minute piece played continuously and full o...

Tendrils has been described as a 'masterly display of Skempton's utterly natural art.' It is built out of continuous undulating lines that sustain their effect throughout, the impulse being lyrical an...

This attractive and concise setting of the Mass (without Creed) has flexible scoring, being for 2-part choir (upper and lower voices), or SATB, and organ. The communion motet Tantum ergo is also for 2...

Newly edited edition, off-printed from the Walton Edition vol. 19 'Chamber Music'Performing edition of Walton's String Quartet in A minor, based on the edition published in the Walton Edition Chamber...

Winchester Te Deum is a glorious work with a great sense of ceremony. This important setting is bright and joyful and equally suitable for church and concert performance. It pairs wonderfully in a con...

This single-movement quartet was commissioned by the Cardiff University Quartet on 25 April 1968. It was dedicated to Mathias' colleague and composer Alun Hoddinott and his wife Rhiannon.

For string quartet - This work, in eight short movements, is based upon Chinese mountain songs, works songs, and popular tunes. Playable either as a unified suite or individually as encores, Zhou's fo...

A fantasia based on five folk tunes which was first performed by Pablo Casals in 1930. The piano reduction was prepared by John Lenehan from the original score. Score and parts of the version for orch...

This arrangement for choir and orchestra of a traditional American spiritual conjures a deep fervency, belying its simple appearance. The opening instruction is 'With hushed awe', and that encapsulate...

The music is shared at first between the upper-voice and mixed choirs before they come together, the one a delicious counter-melody to the other. The music is quite simply beautiful, in keeping with t...

This arrangement meets the demand for timeless popular songs, designed to appeal to teachers and students alike. For three-part choir, it contains that memorable tune, Joel's clever lyrics, riffs asso...

Cecilia McDowall has used six Shakespeare texts, and her response encompasses a fleet-footed impression of Scottish fiddle music, a gorgeously plangent slow movement, and a helter-skelter finale that...

The pairing of a slowish and a lively movement has long been attractive to composers, certainly since the days of pavanes and galliards. Skempton uses the contrast to great effect here, where if 'Rest...

Scoring for the 5-part arrangement is: 2 trumpets in B flat, horn in F, trombone, tuba, and optional percussion. Scoring for the 8-part arrangement is: 4 trumpets in B flat, 3 trombones, tuba, and opt...

Subject to the Weather uses the Welsh folk song The Blackbird as its inspiration, but also references Wesley's hymn tune Aurelia: The Church's one Foundation. The music evokes country life and birdson...

Setting a beautiful text by Rabindranath Tagore, Wake, Love, Wake! explores evocative imagery and metaphors through sonorous harmonies and freedom in tempo. The resulting piece is romantic, stirring,...

Setting the well-known text by Joseph Addison, The spacious firmament is a mysterious and powerful concert work. Bullard uses a variety of textures throughout the piece, resulting in a unique and memo...

In the First, Spinning Place was inspired by Dylan Thomas's exuberant poem Fern Hill. The first section of the concerto is a light, dancing movement, the second section contains echoes of Welsh hymnod...

Holy Roller is a revival sermon captured in the sounds of the alto saxophone and piano. It is inspired by classical revival preaching and the music seeks to represent the language: cajoling and incant...

Suzzie Vango's exuberant arrangement of Gaudete embellishes the charm of this well-known sixteenth-century carol with an accented rhythmic ostinato and playful changes of metre. A version for mixed vo...

This tender Advent carol sets an original text by Charles Bennett that creates a sense of anticipation for the arrival of Jesus. Underpinned by a gently rippling piano part throughout, the piece opens...