Oxford University Press

In this joyous and colourful piano concerto, John Rutter both reflects, and reflects upon, the many soundworlds and styles that have inspired him. There are echoes of Ravel, Gershwin, Satie, Ibert, an...

For two pianos

A suite with a gallic flavour, for two pianos.

Slip-stream was composed for Ensemble Bash. The vibraphone is the protagonist, opening the work with a melodic idea which serves as a refrain. Elsewhere, the glockenspiel and vibraphone are held toget...

For percussion ensemble (4 players). Slip-stream was composed for Ensemble Bash. The vibraphone is the protagonist, opening the work with a melodic idea which serves as a refrain. Elsewhere, the glock...

For piano and two percussion

An easy and original setting, with an extremely memorable tune, of the well-known Rossetti text, here arranged for solo voice and piano. Vocal range: Eb4-G5.

One of Todd's best-loved carols, My Lord has Come has been arranged by the composer to facilitate performance by a solo voice with piano. The heartfelt setting of words by the composer begins with a p...

This much-loved and uplifting carol, first performed by the choir of Clare College, Cambridge, tells the story of a shepherd boy playing his pipe on the journey to Bethlehem to see the infant Jesus. I...

One of Chilcott's best-loved carols is here arranged for solo voice and piano. The text, a beautiful poem by Clive Sansom narrating the experience of the shepherds drawn by starlight to the baby Jesus...

Same as We is a 'scena', a 'theatrical monologue', rather than a 'song'. Using text from Alfred Lord Tennyson's The Promise of May, it is intended that the piece be both dramatic and, albeit in a gene...

The text is drawn from the various editions of Whitmans's 'Leaves of grass' (1855-97), and interspersed with excerpts from 'Specimen Days'. Together they form an autobiography, in which both singer an...

Voice & piano/guitar This volume contains newly edited versions of all Walton's songs for voice and piano, together with Anon in Love for voice and guitar and songs from radio plays. It also includes...

For solo voice or unison voices, and piano. This arrangement is of a well-known folksong, a tender a tuneful lullaby in the Catalan tradition. As featured on the CD 'A Christmas Festival' by John Rutt...

This attractive carol has a tuneful melody with a slight modal feel. Opening with melody alone, sung solo or in unison, the carol builds up harmonically, moving from octave thirds to the rich, occasio...

per voci unisone (con seconda parte opzionale) e pianoforte. Voices As One: Choral Songs mette a disposizione di ogni coro l'eccezionale musica profana dei principali compositori corali di Oxford. Con...

For solo voice and piano - Cipullo's settings of poems by Billy Collins are, at turns, darkly humorous and touching. The New York Times has called his music 'haunting' and the Pittsburgh Post-Gazette...

For solo voice and oboe - Wings of the Grasses was composed as a companion piece to A Girl's Song to her Mother. Each piece recalls the open, high moorland of South Wales. In A Girl's Song to her Moth...

This edition is complete, clear, and practical as well as being scholarly and authoritative. It returns to the primary sources to present the music and libretto as performed during the original Savoy...

For unaccompanied female voice. The five short songs which make up this work are all settings of translations of Chinese poetry from the Tang dynasty (618-906AD) and several of them are about the sepa...

This collection presents the best of Walton's music for voice and piano and provides singers with challenging and rewarding repertoire.

For voice and piano. The text is drawn from the various editions of Whitmans's 'Leaves of grass' (1855-97), and interspersed with excerpts from 'Specimen Days'. Together they form an autobiography, in...

Counter-T (Mez/A), Klav -

This three volume series comprises the bulk of the solo songs which Vaughan Williams published with Oxford University Press. The songs span his whole long career, until his death in 1958. The majority...

Words by William Shakespeare