Novello Publishing

Richard Graves's choral song Hymn Habanera has an entertaining Latin feel, with the option for extra instruments such as Castanets, Guitars, Recorders and others. Written for the upper voices with a f...

Composed in 1979

Scored for treble voices and Organ by Stephen Oliver.

Martin Shaw's O Lord, How Manifold Are Thy Works, scored for Unison Voice and Organ Accompaniment. The work would be suitable for a Harvest service, or simply for general use. The lyrics are taken fro...

Magnificat and Nunc Dimittis is scored for Boy's voices with organ set to music in the key of G.

Angels Through The Heavens Winging is a traditional german carol from the 14th century arranged for treble voices and organ with English words by Harrison Oxley.

A setting of the Magnificat And Nunc Dimittis written for the Three Choirs Festival, Hereford, by Richard Lloyd.

With text by William Blake, this is Ronald Corp's contemporary setting of the Cradle Song for two Sopranos and Piano.

Originally written for five Voices, SATTB, this arrangement of Thou Wilt Keep Him In Perfect Peace is simplied and arranged for Soprano and Alto Voice and Piano. Nineteenth century composer and Organi...

A Carol For Today is scored for solo voice, SA, or SSA with optional flute and piano parts. Words by Kenneth Pickering.

Arranged by James Gibson for unison voices and organ.

As I Outrode This Enderes Night is a carol for soprano voices and organ (or piano). Traditional words set to music by Gerald Hendrie.

For SS or TT Choir with and Organ, edited by Richard Charteris.

Two Latin Motets by Arthur Wills are scored for two-part treble voices and organ.

Unison song. Words by George Herbert.

Universal Nature forms the second part of the Rochester Triptych. It was commissioned by Nicholas Fisher for the Birmingham Bach Choir. First performance 9 April 1994 in Prague. Scored for solo Sopran...

Unison or 3-part Choral Leaflet.

For Unison Choir and Organ (or Piano). Commissioned for the Chapel Choir of the Abbey School, Woodbridge, Suffolk, directed by Andrew Clarke.

Lullay, my liking is scored for accompanied two-part choir, allowing for various upper-/lower-voice combinations: two-part trebles or sopranos, upper voices only (S/A), or men only (T/B). If performed...