Novello Publishing

Aztec Dances was commissioned by Christopher Orton, with the assistance of the BBC Performing Arts Fund. The first performance was given by Christopher Orton (recorder) and Magdalena Nasidlak (piano)...

Written in 1998.

Pastorale, Blues And Homage by Peter Dickinson. Arranged for Recorder (tenor and descant) and Piano for John Turner. 1. A James Joyce Pastorale (1955) 2. A Robert Burns Blues (1967) 3. Homage to Poul...

Patrick Enfield. Three pieces, 'March', 'Barcarolle' and 'Hornpipe' for descant recorder(s) and piano. Originally composed for performance by school pupils.

Charles Offer arranged by Benoy. Fifteen foreign folk songs arranged for two descants, with optional parts for treble and tenor instruments.

Dawn's Dove for solo recorder was composed in 1994. It was first performed by John Turner, who commissioned it, at a concert in honour of the sixtieth birthday of the composer Anthony Gilbert, to whom...

Six Country Dances is an anthology of tunes from Playford's 'The English Dancing Master' selected and arranged by Richard Rodney Bennett. Playford's collection was first published in 1651 and containe...

While Gordon Jacobs composed a vast amount of music more than four hundred pieces -- he was particularly celebrated for his work for Viola and for woodwinds, as well as for his books on music pedagogy...

First position pieces for viola and piano, aimed towards grade one and two.

Based on Playing The Cello, this book includes old and new material to offer a direct and interesting approach to sound technique. By Alison Milne.

Edited by Veronica Jacobs. Commissioned for the 1997 Lionel Tertis International Viola Competition.

This very short work, written in 1997, is for unaccompanied viola. It is intended as a moment of peaceful contemplation after the day's activities cease.

For Viola and Piano. 1st performance London, SPNM concert at the Arts Council, July 6 1956; Watson Forbes and the composer.

Shades IV, by Naresh Sohal, makes use of harmonies generated by the open strings of the Viola, which are heard pizzicato at the opening of the work accompanying a bowed melodic line. This passage recu...

From Le Carnaval Des Animaux, 1886. Edited for cello or viola and piano by Robin De Smet.